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  1. Dziga Vertov
    Soviet documentary/avantgarde filmmaker

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  1. www.imdb.com › name › nm0895048Dziga Vertov - IMDb

    Director. Writer. Editor. IMDbPro Starmeter See rank. Dziga Vertov was born on 2 January 1896 in Bialystok, Grodno Governorate, Russian Empire [now Podlaskie, Poland]. He was a director and writer, known for Man with a Movie Camera (1929), Three Songs About Lenin (1934) and The Sixth Part of the World (1926).

  2. Jan 2, 2016 · Jan. 2, 2016 is the 120th anniversary of the birth of this respected Russian film director. Dziga Vertov was the first to consider film not as a theatrical performance or a historical document...

  3. On April 15, a comprehensive retrospective of the films of DZIGA VERTOV opens at the Museum of Modern Art in New York. In the pages that follow, film scholar JOHN MACKAY assesses the continuing impact of Soviet cinema’s—perhaps simply cinema’s greatest innovator of nonfiction film form.

  4. Mar 21, 2003 · Dziga Vertov, of course, considered his films to be documentaries, records of actuality, but all his work reflected his very personal, highly poetic vision of Soviet ‘reality,’ a vision he maintained throughout his life, long after the dustbin of soviet history had claimed him, too.

  5. Mar 10, 2015 · Dziga Vertov (b. 1896, Bialystok, Russian Empire–d. 1954, Moscow, USSR) was a pioneering Soviet filmmaker, whose films and manifestos played a central role in 20th century documentary, experimental film, and political cinema traditions.

  6. www.moma.org › artists › 24575Dziga Vertov | MoMA

    Dziga Vertov (Russian: Дзига Вертов, born David Abelevich Kaufman, Russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; 2 January 1896 [O.S. 21 December 1895] – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist.

  7. www.moma.org › explore › inside_outMoMA | Dziga Vertov

    Apr 20, 2010 · Dziga Vertov (1896–1954) presents some unusual problems with regard to his inclusion in this series. If we define an “auteur” as a filmmaker with a vision who places the stamp of his personality on his work, that presumes that there is a discernible personality or way of looking at the world.

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