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    • English organist and composer

      • Edward Purcell (1689–1740) was an English organist and composer. Purcell was born in Westminster, London, the only surviving son of English Baroque master Henry Purcell, who died in 1695 when Edward was a small child.
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  2. Edward Purcell (1689–1740) was an English organist and composer. Purcell was born in Westminster, London, the only surviving son of English Baroque master Henry Purcell, who died in 1695 when Edward was a small child.

  3. Edward Purcell published two songs, though the psalm chants often attributed to him seem to be by an earlier namesake, perhaps his uncle Edward. Edward Purcell is the only surviving son of the English Baroque master, Henry Purcell, who died in 1695 when Edward was a small child.

  4. Edward Purcell (1689–1740) was an English organist and composer. Purcell was born in Westminster, London, the only surviving son of the English Baroque master, Henry Purcell, who died in 1695 when Edward was a small child.

  5. Purcell and Elgar: England's best composers? The 200 year void between Purcell’s death and the birth of Elgar (pictured) left a gap in classical music, and led England to be dubbed ‘The land without music’. 15 images. See the full gallery: Purcell: 15 facts about the great composer.

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    • Life
    • Songs and independent instrumental compositions
    • Music for theatre

    Henry Purcell (born c. 1659, London, England—died November 21, 1695, London) English composer of the middle Baroque period, most remembered for his more than 100 songs; a tragic opera, Dido and Aeneas; and his incidental music to a version of Shakespeare’s A Midsummer Night’s Dream called The Fairy Queen. Purcell, the most important English compose...

    Not very much is known of Purcell’s life. His father was a gentleman of the Chapel Royal, in which musicians for the royal service were trained, and the son received his earliest education there as a chorister. When his voice broke in 1673, he was appointed assistant to John Hingston, keeper of the king’s instruments, whom he succeeded in 1683. Fro...

    To later ages Purcell was best known as a songwriter because so many of his songs were printed in his lifetime and were reprinted again and again after his death. The first evidence of his mastery as a composer, however, is an instrumental work—a series of fantasias (or “fancies”) for viols in three, four, five, six, and seven parts. The nine four-part fantasias all bear dates in the summer of 1680, and the others can hardly be later. Purcell was here reviving a form of music that was already out of date and doing it with the skill of a veteran. Probably about the same time he started to work on a more fashionable type of instrumental music—a series of sonatas for two violins, bass viol, and organ (or harpsichord). Twelve of these were published in 1683, with a dedication to Charles II, and a further nine, together with a chaconne for the same combination, were issued by his widow in 1697. The foreword to the 1683 set claimed that the composer had “faithfully endeavour’d a just imitation of the most fam’d Italian Masters”; but side by side with the Italianate manner there was a good deal that derived from the English chamber music tradition.

    The instrumental movements are the most striking part of the earliest of Purcell’s Welcome Songs for Charles II—a series of ceremonial odes that began to appear in 1680. Possibly he lacked experience in writing for voices, at any rate on the scale required for works of this kind; or else he had not yet achieved the art of cloaking insipid words in significant music. By 1683 he had acquired a surer touch, and from that time until 1694, when he wrote the last of his birthday odes for Queen Mary, he produced a series of compositions for the court in which the vitality of the music makes it easy to ignore the poverty of the words. The same qualities are apparent in the last of his odes for St. Cecilia’s Day, written in 1692.

    Britannica Quiz

    Composers & Their Music

    Purcell’s genius as a composer for the stage was hampered by there being no public opera in London during his lifetime. Most of his theatre music consists simply of instrumental music and songs interpolated into spoken drama, though occasionally there were opportunities for more extended musical scenes. His contribution to the stage was in fact mod...

  6. the baptism of young Henry Purcell and his brothers. The only proved offspring of Henry Purcell the elder is a daughter Katherine, who was baptised in Westminster Abbey on March 13, 1662,4 her father being a member of the choir and Master of the Choristers. Now since both Edward Purcell and the composer were born before I66o (as their

  7. Edward Henry Purcell (grandson) Henry Purcell ( / ˈpɜːrsəl /, rare: / pərˈsɛl /; [n 1] c. 10 September 1659 [n 2] – 21 November 1695) was an English composer of Baroque music. Purcell's musical style was uniquely English, although it incorporated Italian and French elements.

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