Search results
Eisenstein in Guanajuato is a 2015 biographical romantic comedy-drama film written and directed by Peter Greenaway. Starring Elmer Bäck as Soviet film director Sergei Eisenstein , alongside Stelio Savante , Lisa Owen , Maya Zapata, Luis Alberti, Jakob Öhrman, Rasmus Slätis, and Raino Ranta, the film is an international co-production between ...
- $78,542
- Elmer Bäck
Jun 18, 2015 · Eisenstein in Guanajuato: Directed by Peter Greenaway. With Elmer Bäck, Luis Alberti, José Montini, Cristina Velasco Lozano. The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such heights.
- Peter Greenaway
- 2 min
Feb 4, 2016 · Beyond the arty trappings and flamboyant showmanship that are typical of Mr. Greenaway, 73, “Eisenstein in Guanajuato” is a brazen provocation that focuses on the Eisenstein character’s ...
- Stephen Holden
- Peter Greenaway
People also ask
What is 'Eisenstein in Guanajuato' about?
Why did Eisenstein go to Mexico?
Did Sergei Eisenstein travel to Mexico?
Why is Eisenstein so famous?
Feb 5, 2016 · Eisenstein in Guanajuato is certainly bold, but its provocations aren't always enough to overcome a lack of depth and clear narrative purpose. Hail, Caesar! Venerated filmmaker Sergei Eisenstein ...
- (53)
- Elmer Bäck
- Peter Greenaway
- Vrijzinnig Protestantse Radio Omroep (VPRO)
Feb 11, 2015 · In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities ...
A film by Peter Greenaway, 2015, Netherlands/Mexico/Finland/Belgium, 105'https://www.facebook.com/eisensteinguanajuatoIn 1931, following the success of the f...
Feb 5, 2016 · Two final notes. First, Greenaway sorely misses the collaboration of composer Michael Nyman, whose propulsive music so enhanced his early features. Second, “Eisenstein in Guanajuato” features some of the worst post-synching seen in any recent movie. If Eisenstein, the consummate craftsman, would have regretted Greenaway’s penchant for ...