The Bohemian Girl
1922
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Dame Alice Ellen Terry GBE (27 February 1847 [1] – 21 July 1928) was a leading English actress of the late 19th and early 20th centuries. Born into a family of actors, Terry began performing as a child, acting in Shakespeare plays in London, and toured throughout the British provinces in her teens. At 16, she married the 46-year-old artist ...
Apr 11, 2024 · Ellen Terry was an English actress who became one of the most popular stage performers in both Great Britain and North America. For 24 years (1878–1902) she worked as the leading lady of Sir Henry Irving in one of the most famous partnerships in the theatre.
Learn about the life and career of Ellen Terry, a legendary British stage actress who played every major Shakespearean role and made a few silent film appearances. Find out about her family, relationships, awards, trivia, quotes and more on IMDb.
- February 27, 1847
- July 21, 1928
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Jun 8, 2018 · Learn about the life and career of Ellen Terry, one of the most famous leading ladies of the Victorian era. She was known for her grace, beauty, and interpretations of Shakespearean heroines, especially Portia and Beatrice.
May 15, 2017 · Ellen Terry was one of the greatest Shakespearean actresses of the 19th century, who played almost all his heroines at the Lyceum Theatre. She also had a flamboyant life and vibrant personality, marrying four times, including the painter G.F. Watts and the architect Edward Godwin. She retired to a 16th-century farmhouse in Kent, where she died in 1928.
- Joy Melville
Ellen Terry, (born Feb. 27, 1847, Coventry, Warwickshire, Eng.—died July 21, 1928, Small Hythe, Kent), English actress. Born into a family of actors, she made her stage debut at age nine. She acted with several companies before joining Henry Irving as his leading lady (1878–1902), playing a variety of Shakespearean roles in a notable ...
Apr 1, 2024 · The Painting. John Singer Sargent, Ellen Terry as Lady Macbeth, 1889, Tate Britain, London, UK. In his painting, Sargent chose to make the dress more blue than green, apparently on the advice of Edward Burne-Jones (1833-1898), who visited his studio while the portrait was in progress. He also used a rich ultramarine for the background.
