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Emilie Levienaise-Farrouch. Emilie Levienaise-Farrouch ( French: [emili ləvjenɛz faʁuʃ]) is a French pianist and composer based in London. She signed with FatCat Records ' post-classical imprint 130701 in 2014 and Manners McDade in 2019. [1] [2] Her original score for Sarah Gavron 's Rocks (2019) was nominated for a British Independent Film ...
- 2009–present
- emilielf.com
- Paris, France
Emilie Levienaise-Farrouch. Composer - Soundtracks. Ivor Novello and BIFA nominated composer. New album Ravage out via 130701/FatCat Records on May 27th 2022
Emilie Levienaise-Farrouch is a London-based, Ivor Novello and BIFA nominated French composer, pianist and recording artist. In addition to scoring Prano Bailey-Bond’s debut feature "Censor", Emilie has created the original scores for Harry Wootliff’s 2018 BAFTA-nominated debut feature "Only You", WWII feature "The Forgotten Battle" (dir.Matthijs van Heijningen Jr.) which will receive an ...
Nov 11, 2022 · Composer Emilie Levienaise-Farrouch Says Her Music Keyed On The Beauty And Hope Within ‘Living’ – Sound & Screen. By Lynette Rice. November 11, 2022 12:32pm. Composing the score for the ...
- Lynette Rice
Dec 14, 2023 · All of Us Strangers is the gut-wrenching emotional narrative that Haigh has become known for. Film Obsessive sat down with Emilie Levienaise-Farrouch, the film’s composer, to talk about building the sound for this meditative reflection on grief, love, and loss. (The transcript has been edited for length and clarity.)
- Tina Kakadelis
Dec 21, 2023 · Says Levienaise-Farrouch: “Being a part of the wonderful team who made Andrew Haigh’s creative vision come to life was an immense privilege. All Of Us Strangers tells a story that is narratively so specific and yet touches on universal feelings at the core as what makes us human, the yearning for connection, acceptance, and love. It has ...
Feb 18, 2024 · Composer Emilie Levienaise-Farrouch joins the show! Emilie’s latest score is for the film All of Us Strangers, a sort of romance-fantasy-supernatural film that I found absolutely moving. As such, we primarily talk about her score for that film, including talking about striking an emotional balance (one that feels organic but not manipulative ...
