Libido
1965
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Italian screenwriterErnesto Gastaldi (born 10 September 1934) is an Italian screenwriter. Film historian and critic Tim Lucas described Gastaldi as the first Italian screenwriter to specialize in horror and thriller films. Gastaldi worked within several popular genres including pepla, Western and spy films.
- 3
- 10 September 1934 (age 89), Graglia, Italy
- Julian Berry
Ernesto Gastaldi. Writer: My Name Is Nobody. Graduated in direction and screenwriting at Centro Sperimentale di Cinematografia of Roma in 1957 and in Economy in 1967. He wrote more than one hundred movies of all kind and a dozen of novels. He signed some scripts and his SF novels as Julian Berry.
- January 1, 1
- 1 min
- Graglia, Piedmont, Italy
Ernesto Gastaldi. Writer: My Name Is Nobody. Graduated in direction and screenwriting at Centro Sperimentale di Cinematografia of Roma in 1957 and in Economy in 1967. He wrote more than one hundred movies of all kind and a dozen of novels. He signed some scripts and his SF novels as Julian Berry.
Long interview with screenwriter Ernesto Gastaldi, who wrote more than a hundred movies during the golden age of Italian genre cinema. Among them Mario Bava’s THE WHIP AND THE BODY, Umberto Lenzi’s ALMOST HUMAN and the Sergio Leone produced MY NAME IS NOBODY. He even contributed to ONCE UPON A TIME IN AMERICA.
Ernesto Gastaldi is known as an Screenplay, Story, Writer, Actor, Director, First Assistant Director, Novel, Dialogue, Additional Dialogue, Assistant Director, and Producer. Some of his work includes My Name Is Nobody, Torso, A Genius, Two Friends, and an Idiot, The Strange Vice of Mrs Wardh, Day of Anger, All the Colors of the Dark, The Whip ...
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Apr 7, 2020 · cinepugno Uncategorized April 7, 2020 4 Minutes. This is the English translation of an interview with screenwriter Ernesto Gastaldi conducted by Luigi Cozzi. The interview was originally published in Italian, in the Italian monthly magazine Horror, in April 1970.
Jul 1, 2021 · Salerno and co-writers Ernesto Gastaldi, Lucile Laks, and Giancarlo Balestrini don’t make obvious light of the situation and treat the barbarous behavior of the title three characters seriously (as seriously as any crime spree that includes impaling a woman with a forklift can be), but the core statement is shaded in acrid sarcasm.
