Isabelle Huppert
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Every Man for Himself (French: Sauve qui peut (la vie)) is a 1980 drama film directed, co-written and co-produced by Jean-Luc Godard that is set in and was filmed in Switzerland. It stars Jacques Dutronc, Isabelle Huppert, and Nathalie Baye, with a score by Gabriel Yared. Nathalie Baye won the César Award for Best Supporting Actress.
- Jean-Luc Godard, Alain Sarde
Oct 15, 1980 · Every Man for Himself: Directed by Jean-Luc Godard. With Isabelle Huppert, Jacques Dutronc, Nathalie Baye, Roland Amstutz. An examination of sexual relationships, in which three protagonists interact in different combinations.
- Jean-Luc Godard
- 78
- 3 min
Every Man for Himself Released Oct 8, 1980 1h 29m Drama List 90% Tomatometer 10 Reviews 67% Audience Score 500+ Ratings The lives of a man (Jacques Dutronc), a woman (Nathalie Baye) and...
- (20)
- Isabelle Huppert
- Jean-Luc Godard
- Drama
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Every Man for Himself, featuring a script by Jean-Claude Carrière and Anne-Marie Miéville, looks at the sexual and professional lives of three people—a television director (Jacques Dutronc), his ex-girlfriend (Nathalie Baye), and a prostitute (Isabelle Huppert)—to create a meditative story about work, relationships, and the notion of freedom.
- Isabelle Riviere
Cast & crew. User reviews. Trivia. FAQ. IMDbPro. All topics. Plot. Every Man for Himself. Jump to Edit. Summaries. An examination of sexual relationships, in which three protagonists interact in different combinations. Synopsis. Please find below a detailed, blow-by-blow, shot-by-shot synopsis, which includes some dialogue.
Every Man for Himself. Criterion Collection Edition #744. After a decade in the wilds of avant-garde and early video experimentation, Jean-Luc Godard returned to commercial cinema with this star-driven work of social commentary, while remaining defiantly intellectual and formally cutting-edge. EVERY MAN FOR HIMSELF, featuring a script by Jean ...
Feb 3, 2015 · Completed in 1979 and distributed worldwide in 1980, it was dubbed by Godard “my second first film,” coming exactly twenty years after his debut feature, Breathless (1960), upended cinematic language and made way for the jump cut, rampant image and language quotation, and the neonoir.
