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  1. Director. Writer. Producer. IMDbPro Starmeter See rank. Fabio Guaglione was born on 13 September 1981 in Milan, Lombardy, Italy. He is a director and writer, known for Mine (2016), My Name Is Vendetta (2022) and Afterville (2008). More at IMDbPro.

    • January 1, 1
    • Director, Writer, Producer
    • Milan, Lombardy, Italy
    • Fabio Guaglione
  2. Sep 10, 2023 · Directed by Italian filmmakers Fabio Guaglione and Fabio Resinaro, the film stars Armie Hammer as a U.S. Marine sniper who steps on an active landmine and has no choice but to stay put,...

    • Adam Levine
  3. Mine is a 2016 psychological thriller war film written and directed by Fabio Guaglione and Fabio Resinaro, in their feature film directorial debuts. It stars Armie Hammer as a United States Marine who is walking on an unmapped minefield during a botched mission when after many steps his heart sinks as he hears a click underfoot and tries to ...

    • $1.7 million
    • Peter Safran, Andrea Cucchi
    • Luca Balboni, Andrea Bonini
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  5. Apr 7, 2017 · Powered by JustWatch. Fabio Guaglione & Fabio Resinaro ’s “Mine” is practically a one-man show. There are tech elements that are essential to its success, but this film lives and dies on what Armie Hammer does at its center. He’s not only in every scene, he’s often the only person in the scene, playing a guy trapped in the middle of ...

  6. Apr 6, 2017 · Co-written and co-directed by Italian filmmakers Fabio Guaglione and Fabio Resinaro, the wartime psychological thriller “Mine” is a classic example of a high-concept film that painstakingly...

    • Alan Zilberman
  7. Apr 6, 2017 · Features. General. ‘Mine’ Review: Armie Hammer Can’t Save This Misguided ‘Buried’ Knockoff. "This is a minefield! Full of mines!" is an actual line from the Fabio Guaglione and Fabio Resinaro...

  8. Apr 7, 2017 · Despite taking place largely in a single location, Fabio Guaglione and Fabio Resinaro’s film, Mine, manages to tell a varied story of life experiences, a story that touches on family history, personal regrets and misunderstandings, and even a subtle political critique of US militarism.

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