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The Hand of Ethelberta. Far from the Madding Crowd (1874) is Thomas Hardy 's fourth published novel and his first major literary success. It was published on 23 November 1874. It originally appeared anonymously as a monthly serial in Cornhill Magazine, where it gained a wide readership. The novel is set in Thomas Hardy's Wessex in rural ...
- Thomas Hardy
- 464 pages (Harper & Brothers edition, 1912)
- 1874
- 1874
May 22, 2015 · A film adaptation of Thomas Hardy's novel about a Victorian woman who attracts three suitors. See cast, crew, reviews, trivia, awards, and more on IMDb.
- Snoopystyle
- 3 min
- Thomas Vinterberg
- 181
Far from the Madding Crowd is a 2015 British [2] romantic drama film directed by Thomas Vinterberg and starring Carey Mulligan, Matthias Schoenaerts, Tom Sturridge, Michael Sheen, and Juno Temple. An adaptation by David Nicholls of the 1874 novel Far from the Madding Crowd by Thomas Hardy, it is the fourth film adaptation of the novel.
- $30.2 million
- Craig Armstrong
- £12 million
In 1870 Victorian England, Bathsheba Everdene (Carey Mulligan) is working on her aunt's farm in Dorset. Gabriel Oak (Matthias Schoenaerts), a new neighbor, sees Bathsheba riding her horse and falls in love with her. He proposes, but the headstrong Bathsheba declines, saying she is too independent. One night a new sheepdog chases Gabriel's ...
A classic novel by Thomas Hardy about a young woman who inherits a farm and faces three suitors. Read the plot overview, analysis, and themes of this romantic drama.
- Thomas Hardy
- 1874
Far from the Madding Crowd, novel by Thomas Hardy, published serially and anonymously in 1874 in The Cornhill Magazine and published in book form under Hardy’s name the same year. It was his first popular success. The plot centres on Bathsheba Everdene, a farm owner, and her three suitors, Gabriel.
May 1, 2015 · A film adaptation of Thomas Hardy's classic romance novel, starring Carey Mulligan as a fiercely independent woman who attracts three suitors in Victorian England. The review praises Mulligan's performance, the cinematography and the director's vision, but criticizes some of the changes and cuts from the original text.
