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Joseph Fernand Henri Léger ( French pronunciation: [fɛʁnɑ̃ leʒe]; February 4, 1881 – August 17, 1955) was a French painter, sculptor, and filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more figurative, populist style.
- August 17, 1955 (aged 74), Gif-sur-Yvette, France
Mar 21, 2024 · Fernand Léger (born February 4, 1881, Argentan, France—died August 17, 1955, Gif-sur-Yvette) was a French painter who was deeply influenced by modern industrial technology and Cubism. He developed “ machine art,” a style characterized by monumental mechanistic forms rendered in bold colours.
Summary of Fernand Léger. Though Fernand Léger built his reputation as a Cubist, his style varied considerably from decade to decade, fluctuating between figuration and abstraction and showing influence from a wide range of sources. Léger worked in a variety of media including paint, ceramic, film, theater and dance sets, glass, print, and ...
- French
- February 4, 1881
- Argentan, France
- August 17, 1955
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View all 446 artworks. Fernand Leger lived in the XIX – XX cent., a remarkable figure of French Cubism. Find more works of this artist at Wikiart.org – best visual art database.
- French
- February 4, 1881
- Argentan, Orne, France
- August 17, 1955
As an artist and art teacher, his examinations and interrogations of modernism played a significant role for future generations of twentieth-century artists. Born on February 4, 1881, in Normandy, France, Léger grew up in a family of cattle farmers who discouraged his interest in an artistic career. He worked as an architectural apprentice in ...
Fernand Léger. French, 1881–1955. Works. Exhibitions. Publications. Wikipedia entry. Getty record. Read a short essay about Fernand Léger at the post website.
Nov 23, 2018 · Fernand Léger. Fernand Léger was a French artist who worked in many mediums, including film and graphics. What he is best known for, though, are his large scale paintings and murals. Often painted in block colours with bold graphic lines, they are evidence of his belief that 'color is… as indispensable to life as water or fire'.
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