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Frank Patterson (5 October 1938 – 10 June 2000) was an internationally renowned Irish tenor following in the tradition of singers such as Count John McCormack and Josef Locke. He was known as "Ireland's Golden Tenor".
Frank Patterson + Follow Artist "Ireland's Golden Tenor," Frank Patterson was born and raised in Tipperary; announcing his intentions to become a singer on his first day of school, he performed as a member of the local group the Wren Boys as a teen before quitting school to work in his mother's printing business.
Nov 18, 2011 · Frank Patterson (October 5, 1938 – June 10, 2000) was an internationally renowned Irish tenor following in the tradition of singers such as Count John McCormack and Josef Locke. He was known as "Ireland's Golden Tenor". View wiki.
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Clemson No. 2 quarterback Taisun Phommachanh and former starting wide receiver Frank Ladson Jr. have entered the transfer portal, the school confirmed Friday. Phommachanh, ...
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Jun 10, 2000 · The bronze life-size sculpture was created by American Texan Jerry McKenna. Singer. He was born in Clonmel, Tipperary County, Ireland. With an excellent vocal voice noticed while in the first grade, Frank Patterson grew up singing in the local Catholic Church choir and then as a teen formed a local group, the Wren Boys.
- 5 Oct 1938Clonmel, County Tipperary, Ireland
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- Early Life
- Style and Themes
- Pear Tree Farm
Patterson was born in 1871 to a seafaring Portsmouth family. Instead of following his father into the navy, he attended The Portsmouth Art School. Upon graduating he set out by foot to seek his fortune in London, a 75 mile walk away. Patterson struggled to find employment or recognition as an artist. He fell on hard times, eventually joining the London and Scottish Regiments of the army from 1890-92. The young artist eventually discovered that his drawings had commercial value. One of his early successes was illustrating several of his father’s sea stories for Boys Own Paper. His first job was home and furniture illustrations for trade publications such as The Book of the Home and The House. He also picked up occasional work for books and magazines, such as Boer War sketches for The Illustrated London News. Cycling magazine published one of Patterson’s illustrations in 1893. Temple Press, who owned a number of titles including Cycling, subsequently contracted him for ten illustratio...
Patterson learned to cycle as an art student. One of his friends owned a penny-farthing and rode it home to Poole once a month, The Frank Patterson Appreciation Society Newsletter, June 1991 reported “Once Pat endeavoured to keep him company on a ancient trike, but fell many miles behind, having to seek new energy at a wayside pub.” Patterson’s older brother also had an Ordinary. The cycle craze of the 1890s was in full swing when Patterson moved to London. He took up cycling and explored the countryside on solo tours. Naturally, Patterson drew scenes from his adventures a-wheel. A serious knee injury at age 38 ended his cycling days. The accident did not, however, stop Patterson’s romance with cycling and the countryside. He began to draw from photographs and postcards, many of which were sent to him by friends or fans. Paterson interpreted the images in his signature style, adding in cyclists to complete the scenes. He retained his cyclist’s eye, conveying a feeling of riding thro...
Patterson’s style is instantly recognisable. He used a Gillott 303 with a goose quill to create his pen and ink drawings. Patterson called his technique “slapping in the pork.” Lines of varying width, cross hatching and shading build up landscape, action and atmosphere. The resulting effect mimicked the etched wood line-cut prints commonly used in press illustrations, but gave Patterson more creative freedom. Patterson covered every county in England plus parts of Scotland, Wales, Ireland and the continent. Scenes range from rolling hills of the Chilterns to jagged Highland mountain peaks to overgrown Kentish lanes. Wide perspectives stretch over vast horizons or follow narrow roads into the distance. More intimate perspectives might detail a stone bridge or village high street. Humour infuses many of the images. A night scene entitled “That Eerie Sensation of Being Followed” shows trees coming to life on a spooky county lane. A whimsical winter sketch depicts a dandy rider on a dra...
In 1898, Patterson and his second wife Emily leased an Elizabethan farmhouse near Billingshurst, West Sussex. The rent was only 9d, but the house was completely dilapidated. With the help of a local builder it soon became a comfy home with an open hearth at its heart. The house needed a name, so they called it Pear Tree Farm. In 1902 the couple purchased the property for £5. They raised their children Peggy, Molly, Andre and George on the farm and made it their lifelong home. Patterson was a recluse, especially in his later years. Pear Tree Farm became his full time studio. He rarely went into town and avoided London at all cost. He dressed the part of a local farmer in tweeds, boots, gaiters and a hat. His dogs were often by his side and a gun in his hand. He sketched himself as a farmer and photos show him in this persona. Paterson remained a mystery to his neighbours who would have been surprised to discover an artist living among them. CTC President and Cycling editor George Her...
Paterson died in 1952 at the age of 81. He continued to draw until his final years. During his career he created over 26,000 images and illustrated hundreds of books. He claimed never to have missed a deadline. His ashes were spread at his beloved Pear Tree Farm. On 14 September 1974, a plaque honouring Patterson was erected at CTC/Cycling UK Headquarters. It reads: “Dedicated to the memory of Frank Patterson (1871-1952) of Pear Tree Farm, Billingshurst, who for over fifty years depicted the spirit of cycling in a manner unequalled by any other artist.” There have been several exhibitions of Patterson’s work including one held near Billinghurst in collaboration with Sotheby’s to mark the 120th anniversary of his death in 1991. It included 115 original drawings, a wood cut of a draisienne and a selection of his pens. Patterson’s work has been reproduced in a number of books and catalogues. The Art of Frank Patterson, published by the CTC in 1979, contains over 150 examples of his wor...
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