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  1. May 8, 2024 · Frank Tashlin (born February 19, 1913, Weehawken, New Jersey, U.S.—died May 5, 1972, Los Angeles, California) was an American cartoonist, writer, animator, and film director who specialized in broad satirical comedies. Tashlin directed his animated cartoons like live-action films—employing a wide range of cinematic techniques—and ...

    • Michael Barson
  2. 1 day ago · Merrie Melodies. filmography (1929–1939) This is a listing of all the animated shorts released by Warner Bros. under the Looney Tunes and Merrie Melodies banners between 1930 and 1939, plus the pilot film from 1929 which was used to sell the Looney Tunes series to Leon Schlesinger and Warner Bros. A total of 270 shorts were released during ...

  3. 4 days ago · Frank Tashlin (1913–1972), animator, director, screenwriter; Art Tatum (1909–1956), musician (relocated from Angelus-Rosedale Cemetery in 1991) Vic Tayback (1930-1960) Actor. Crypt of Elizabeth Taylor. Elizabeth Taylor (1932–2011), actress, activist; Russi Taylor (1944–2019), voice actress; NP Robert Taylor (1911–1969), actor

  4. Apr 22, 2024 · Animation fans will recognize the name of the film’s director, Frank Tashlin, who directed several shorts for Warner Brothers before moving into live-action films. Tashlin was a perfect director of Jerry Lewis’ cartoony comedy, and Artists and Models is full of sight gags that would be right at home in a Looney Tunes short.

  5. Apr 22, 2024 · Chuck Jones and his character layout artist Art Heinemann redesigned Private Snafu for all the Schlesinger directors: himself, Friz Freleng, Bob Clampett, and Frank Tashlin. At the start of 1943, Snafu debuted in Army-Navy Screen Magazine (then called simply The War in its early installments), a collection of live-action news and information ...

  6. Apr 24, 2024 · One of the earliest and most overt Looney Tunes nods comes from a movie by none other than Frank Tashlin, who directed many of the greatest Looney Tunes and Merrie Melodies shorts of the 1940s...

  7. May 11, 2024 · Then the episode ends with the real song "There's Always a Twist at the End," playing over a technicolor-soaked Frank Tashlin-style musical montage that also pays homage to the movies of Stanley ...

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