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  1. Fred Olen Ray

    Fred Olen Ray

    American filmmaker

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  1. September 10, 1954 · Wellston, Ohio, USA. Birth name. Frederick Olen Raymond. Height. 5′ 8½″ (1.74 m) Mini Bio. Fred Olen Ray spent most of his childhood in Florida, where he was always a fan of horror movies on TV. He collected autographs of many of the actors in those films where he met Christopher Lee and Peter Cushing.

  2. Biography. Fred Olen Ray is an American film and television director, producer, screenwriter, actor, cinematographer, and former professional wrestler. Known For. Evil Toons. Hollywood Chainsaw Hookers. A Prince for Christmas. Sniper: Special Ops. Turbulent Skies. Super Shark. The Twin. Deadly Shores. Directing. Production. Writing. Acting. Crew.

  3. Feb 27, 2024. Director Fred Olen Ray (Photo by Mac Cappuccino) Prolific Director Fred Olen Ray just wrapped his 13th Feature film shoot in Western New York with his latest holiday feature. Taking advantage of snowfilled WNY locations such as Glenwood’s Kissing Bridge and a Christmas tree farms in the south towns much like the his first ...

  4. Jun 30, 2020 · CeeNN. 991 subscribers. 47. 2.4K views 3 years ago. Legendary filmmaker Fred Olen Ray joins Christine Nguyen for an in-depth look at his career, from his start in West Virginia and his time...

  5. Fred Olen Ray. Highest Rated: 100% Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson (2019) Lowest Rated: 33% Evil Toons (1991) Birthday: Sep 10, 1954. Birthplace: Wellston, Ohio,...

  6. Apr 17, 2019 · April 17, 2019. Independent Filmmaking the Fred Olen Ray Way, Part Two: An Interview with Actor Jesse Dabson. Last post I profiled low budget filmmaker Fred Olen Ray and his extremely varied output, from his ‘80s and ‘90s knock-offs of popular sci-fi and action films to his current specialty, Hallmark Channel-style romantic TV movies.

  7. Director/screenwriter/makeup artist Fred Olen Ray hocked virtually everything he owned to make The Alien Dead (1978). Never mind that, as a graduate of the Brown University School of Engineering, Ray could have named his own salary in practically any job in his field: Celluloid was in his blood, and there it would remain from 1978 to the present.

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