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Georges Sadoul (4 February 1904 – 13 October 1967) was a French film critic, journalist and cinema writer. [1] . He is known for writing encyclopedias of film and filmmakers, many of which have been translated into English. Biography. Sadoul was born in Nancy. He was trained at the Sorbonne and the IDHEC, a French cinema school.
- 4 February 1904, Nancy, France
- Journalist, writer, film historian
- 13 October 1967 (aged 63), Paris, France
Georges Sadoul, né le 4 février 1904 à Nancy (Meurthe-et-Moselle) et mort le 13 octobre 1967 à Paris, est un critique et historien français du cinéma. Il est notamment l'auteur d'une importante Histoire générale du cinéma (6 volumes).
Jul 28, 2019 · Sadoul is known especially for his single-volume history of cinema, published in large numbers in, I think, thirty countries. Reading it in 1949 is when I discovered the existence of cinema as art. The book helps us find a lot of basic information easily and quickly.
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Georges Sadoul was born on 4 February 1904 in Nancy, France. He was a writer, known for L'Espagne vivra (1939), Naissance du cinéma (1950) and La Seine a rencontré Paris (1957). He was married to Ruta Sadoul and Jacqueline Cartier-Bresson. He died on 13 October 1967 in Paris, France.
- Writer, Editorial Department
- February 4, 1904
- Georges Sadoul
- October 13, 1967
Georges Sadoul. (1904—1967) Quick Reference. (1904–67). French film‐critic and historian of cinema. Moving with Aragon from Surrealism to communism, Sadoul virtually invented the scholarly study of cinema. Among his voluminous writings, the monumental Histoire générale du cinéma (1948–56) is still considered a classic. [...]
Georges Sadoul. 4.00. 19 ratings4 reviews. This volume is a compact guide to the world’s most important films. This essential reference provides credits, dates, succinct synopses, and brief critical comments on about 400 films. 442 pages, Paperback. First published January 1, 1965. Book details & editions. About the author. Georges Sadoul.
Aug 11, 2020 · Around the same time, the film historian Georges Sadoul, also in Les lettres françaises, urged spectators to see Cléo if they wanted “a true film, a modern film, profoundly of our era.”
