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Gerald Finzi is best known for his Clarinet Concerto, Five Bagatelles and his choral works. But there's more to discover about this British composer. 1. Family background. Gerald Finzi was born into a Jewish family in London on 14 July 1901. His father was of Italian origin and his mother, German.
Biography. Gerald Finzi was born in London on 14 July 1901 and spent his early childhood in London. His father died when he was just seven, and following the outbreak of war Finzi moved with his mother to Harrogate, in Yorkshire. There, Finzi was able to study with the composer Ernest Farrar (until his departure for the War), and from 1917 with ...
Biography. Gerald Finzi was born in London on July 14, 1901, and spent his early childhood in London. His father died when he was just seven and following the outbreak of the First World War Finzi moved with his mother to Harrogate, in Yorkshire. There Finzi was able to study composition with the composer Ernest Farrar and from 1917 with Edward ...
The life and times of an iconic British choral composer, and his particular brand of lyrical, pastoral melancholy: an introduction to Gerald Finzi.
Gerald Finzi - 20th century English composer, renowned for inspired, flexible Thomas Hardy verse settings and lyrical instrumental style. Lover of reading, collector of books, conservationist - whether of 18th century music or apples: scholar, aesthete, stalwart citizen - directing amateur music-making, hosting war evacuees.
Welcome to the Finzi Trust. The 20th century English composer Gerald Finzi is renowned for the lyricism of his songs (especially settings of poems by Thomas Hardy) and instrumental writing. A lover of reading, collector of books and conservationist - whether of 18th century music or apples - Finzi joined with his wife, the artist and poet Joyce ...
Feb 1, 2007 · Gerald Finzi: His Life and Music | Music and Letters | Oxford Academic. Journal Article. Gerald Finzi: His Life and Music. By. McVeagh. Diana. . pp. x + 306. The Boydell Press. , Woodbridge. , £25. ISBN 1-84383-170-8.) Byron Adams. Music and Letters, Volume 88, Issue 1, February 2007, Pages 176–181, https://doi.org/10.1093/ml/gcl050. Published:
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