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  1. Giacomo Puccini (22 December 1858 – 29 November 1924) was an Italian composer known primarily for his operas. Regarded as the greatest and most successful proponent of Italian opera after Verdi, he was descended from a long line of composers, stemming from the late-Baroque era.

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  2. Apr 3, 2024 · Giacomo Puccini (born December 22, 1858, Lucca, Tuscany [Italy]—died November 29, 1924, Brussels, Belgium) was an Italian composer, one of the greatest exponents of operatic realism, who virtually brought the history of Italian opera to an end.

    • Claudio Sartori
    • Giacomo Puccini1
    • Giacomo Puccini2
    • Giacomo Puccini3
    • Giacomo Puccini4
  3. Apr 2, 2014 · Learn about the life and works of Giacomo Puccini, the Italian composer of popular operas such as 'La Bohème' and 'Madama Butterfly'. Find out how he started his career, faced personal challenges, and died of post-operative shock in 1924.

  4. Jun 6, 2023 · Giacomo Puccini (1858-1924) was an Italian composer best known for his operas La Bohème, Tosca, Madama Butterfly, and Turandot. Puccini drew inspiration from a wide range of literary sources, and his late Romantic music with its immortal melodies emphasised the strong characters, drama, and fast pace of his emotional operas, which remain today ...

    • Mark Cartwright
  5. Learn about the life and works of Giacomo Puccini, the famous Italian composer of operas such as La bohème, Tosca and Madama Butterfly. Find out how he started his musical career in Lucca, met his love Elvira, and became a worldwide star. Discover his passion for cars and houses, and his struggles with cancer and war.

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  7. Learn about the life and works of Giacomo Puccini, the leading Italian composer of his generation and creator of La bohème, Tosca and Madama Butterfly. Explore his early years, career highlights, later life and legacy in this comprehensive guide by ENO.

  8. Giacomo Puccini. This is how Giacomo Puccini described his "genre" in a letter written in July 1894. It is a remarkably accurate roadmap to his school of composition and one for which he struggled to find unexplored territory throughout his life. He was the Titan of Opera from the late 19th Century to the early 1920s.

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