Adrien Brody
Inspector Enzo Avolfi/Giallo
Search results
In Italian cinema, giallo (pronounced; pl.: gialli, from giallo, lit. ' yellow ' ) is a genre of murder mystery fiction that often contains slasher , thriller , psychological horror , sexploitation , and, less frequently, supernatural horror elements.
Oct 18, 2021 · “Giallo” literally means “yellow,” in reference to the yellow covers common to the sensationalistic Italian pulp novels these movies clearly resemble. But giallo was never an organized...
- Deep Red. The best giallo on this list is also a Christmas horror movie. Yes, you read that correctly. "Deep Red" begins with a murder sequence in front of a Christmas tree, while the credit sequence unfolds around children's toys.
- A Bay of Blood. Also known as "Twitch of the Death Nerve" (an absolutely incredible title), Mario Bava's 1971 film "A Bay of Blood" is not only a giallo, but feels like a direct precursor to the then-upcoming slasher genre in the United States and Canada.
- Tenebrae. We already know that Dario Argento doesn't miss, at least with his giallo films, and his 1982 effort "Tenebrae" is no exception. In fact, it's one of his best.
- Knife+Heart. Yann Gonzalez's 2018 film, "Knife+Heart" is the only contemporary choice on this list. It deserves a place among the biggest giallo hits of the 1960s and 1970s not only for its colorful aesthetic choices, but also for focusing its narrative on queer communities and sex workers.
- The Case of The Scorpion’s Tail | 1971
- The New York Ripper | 1982
- Black Belly of The Tarantula | 1971
- Death Walks on High Heels | 1971
- Seven Deaths in The Cat’S Eye | 1972
- Stagefright: Aquarius | 1987
- A Lizard in A Woman’S Skin | 1971
- Tenebrae / Unsane | 1982
- The Strange Vice of Mrs. Wardh | 1971
- The House with Laughing Windows
Like all of Sergio Martino’s films, The Case Of The Scorpion’s Tale (La coda dello scorpione) is a visual treat. Martino always endeavored to do something interesting visually – here, prodigious zooming, a plethora of unconventional angles, strange compositions, and fluid camera work to help escalate the tension. Martino also uses innumerable colou...
In the hierarchy of Italian horror, Lucio Fulci usually doesn’t get his due. Many fans will place him below Argento and Bava, but I’d argue many of his films are far better. Fulci is admired for his onscreen appreciation of violence and brutality, but the man could also shoot a picture like nobody’s business. The New York Ripperis often targeted as...
Just as the wasp uses a deadly stinger to kill its arch-nemesis the tarantula, a psychotic murderer is mimicking the insect by inserting a poison-tipped acupuncture needle into the back of his victim’s neck. The venom paralyzes the victims and the killer forces them to watch their own death as he slices them up. The inventive killings in Black Bell...
Death Walks on High Heels (La morte cammina con i tacchi alti) and Death Walks at Midnight were Italian/Spanish co-production, and two of many Giallo films from director Luciano Ercoli. Made using most of the same main cast and crew, both High Heels and Midnight were vehicles for Spanish-born starlet Susan Scott (Ercoli’s wife), who stars in both f...
Seven Deaths in the Cat’s Eye (La morte negli occhi del gatto) seems like a case of the filmmakers going out of their way to distinguish themselves from the hundreds of other Giallo films released, with a very strong supernatural underpinning to the proceedings (including repeated mention of vampires) and a specific focus on would-be animal murdere...
Michele Soavi’s time spent assisting Dario Argento with Tenebre, Phenomena and Opera clearly prepared him to direct a feature of his own and with StageFright, Soavi proved himself as adept a director as any of his peers. StageFright is famous for two main reasons: donning an owl mask, the maniacal killer sets about his massacre via an assortment of...
After the success of Dario Argento’s The Bird with the Crystal Plumage, the Italian film industry set out to produce a slate of thrillers with animal-related titles. One of the first was Lucio Fulci’s A Lizard in a Woman’s Skin (Una lucertola con la pelle di donna). Despite its Giallo status, Fulci’s film is a distinct entity apart from those made ...
Generally considered Dario Argento’s last good film before a steep decline, Tenebrae was a return, after experiments with supernatural horror (Suspiria, Phenomena), to the classic Giallo formula: homicidal maniacs, black leather gloves, the killer’s point of view, convoluted plot twists, pulse-pounding music, and so on. Said to be Argento’s most pe...
Director Sergio Martino (also known as Italy’s Roger Corman) proves once again why he does Giallo better than most. Starring Giallo queen Edwige Fenech (Your Vice Is a Locked Room and Only I Have the Key, and many more) and George Hilton (The Case of the Scorpion’s Tail), The Strange Vice of Mrs. Wardh is a carefully fashioned and engrossing thrill...
The House with Laughing Windows (La casa dalle finestre che ridon) opens and ends as a deathly serious meditation on suffering and art. This sense of dread begins with a series of highly disturbing images that play out in sepia tones, juxtaposed with the opening title cards – a man is chained, tortured and repeatedly stabbed by two hooded figures. ...
Feb 9, 2024 · As you could tell by the definition of a giallo film, the genre is broad and breaks away from fixed genres. Toni Stranger discovered that the main elements of a giallo film are: Lavish set design with vivid, bold, surrealist qualities. Exceptional costume design.
People also ask
What is a giallo film?
What is a giallo genre?
What makes a giallo film a horror film?
How did giallo start?
Oct 10, 2023 · The Best Giallo (and Best Giallo-Inspired) Movies of All Time, from ‘Deep Red’ to ‘Cruising’ "Blood and Black Lace," "A Lizard in a Woman's Skin," and more movies defined the Italian genre.
Oct 24, 2021 · GIALLO DEFINITION. What are Giallo films? A Giallo film is a stylish and violent crime thriller hailing from Italy. The gore, creepy visuals, and similarities to slashers often associated with the Giallo genre lend strong connective tissue to the horror genre.
