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Inspector Enzo Avolfi/Giallo
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The term giallo ("yellow") derives from a series of crime-mystery pulp novels entitled Il Giallo Mondadori ( Mondadori Yellow ), published by Mondadori from 1929 and taking its name from the trademark yellow cover background. The series consisted almost exclusively of Italian translations of mystery novels by British and American writers.
Oct 18, 2021 · To some cult cinema fans, giallo is, by definition, Italian. From the 1960s to the 1980s (and most prominently in the 1970s) a handful of Italian filmmakers turned out horror and suspense films ...
Giallo films are generally characterized as gruesome murder-mystery thrillers that combine the suspense elements of a Hitchcock film with scenes of shocking horror featuring excessive bloodletting, stylish camerawork, and often jarring musical arrangements. -The giallo film genre proved to be a major influence on the later slasher film genre.
Oct 24, 2021 · A Giallo film is a stylish and violent crime thriller hailing from Italy. The gore, creepy visuals, and similarities to slashers often associated with the Giallo genre lend strong connective tissue to the horror genre. Also, the crime and murder-mystery plot elements found across the genre keep Gialli grounded in the whodunits of the thriller ...
- The Case of The Scorpion’s Tail | 1971
- The New York Ripper | 1982
- Black Belly of The Tarantula | 1971
- Death Walks on High Heels | 1971
- Seven Deaths in The Cat’S Eye | 1972
- Stagefright: Aquarius | 1987
- A Lizard in A Woman’S Skin | 1971
- Tenebrae / Unsane | 1982
- The Strange Vice of Mrs. Wardh | 1971
- The House with Laughing Windows
Like all of Sergio Martino’s films, The Case Of The Scorpion’s Tale (La coda dello scorpione) is a visual treat. Martino always endeavored to do something interesting visually – here, prodigious zooming, a plethora of unconventional angles, strange compositions, and fluid camera work to help escalate the tension. Martino also uses innumerable colou...
In the hierarchy of Italian horror, Lucio Fulci usually doesn’t get his due. Many fans will place him below Argento and Bava, but I’d argue many of his films are far better. Fulci is admired for his onscreen appreciation of violence and brutality, but the man could also shoot a picture like nobody’s business. The New York Ripperis often targeted as...
Just as the wasp uses a deadly stinger to kill its arch-nemesis the tarantula, a psychotic murderer is mimicking the insect by inserting a poison-tipped acupuncture needle into the back of his victim’s neck. The venom paralyzes the victims and the killer forces them to watch their own death as he slices them up. The inventive killings in Black Bell...
Death Walks on High Heels (La morte cammina con i tacchi alti) and Death Walks at Midnight were Italian/Spanish co-production, and two of many Giallo films from director Luciano Ercoli. Made using most of the same main cast and crew, both High Heels and Midnight were vehicles for Spanish-born starlet Susan Scott (Ercoli’s wife), who stars in both f...
Seven Deaths in the Cat’s Eye (La morte negli occhi del gatto) seems like a case of the filmmakers going out of their way to distinguish themselves from the hundreds of other Giallo films released, with a very strong supernatural underpinning to the proceedings (including repeated mention of vampires) and a specific focus on would-be animal murdere...
Michele Soavi’s time spent assisting Dario Argento with Tenebre, Phenomena and Opera clearly prepared him to direct a feature of his own and with StageFright, Soavi proved himself as adept a director as any of his peers. StageFright is famous for two main reasons: donning an owl mask, the maniacal killer sets about his massacre via an assortment of...
After the success of Dario Argento’s The Bird with the Crystal Plumage, the Italian film industry set out to produce a slate of thrillers with animal-related titles. One of the first was Lucio Fulci’s A Lizard in a Woman’s Skin (Una lucertola con la pelle di donna). Despite its Giallo status, Fulci’s film is a distinct entity apart from those made ...
Generally considered Dario Argento’s last good film before a steep decline, Tenebrae was a return, after experiments with supernatural horror (Suspiria, Phenomena), to the classic Giallo formula: homicidal maniacs, black leather gloves, the killer’s point of view, convoluted plot twists, pulse-pounding music, and so on. Said to be Argento’s most pe...
Director Sergio Martino (also known as Italy’s Roger Corman) proves once again why he does Giallo better than most. Starring Giallo queen Edwige Fenech (Your Vice Is a Locked Room and Only I Have the Key, and many more) and George Hilton (The Case of the Scorpion’s Tail), The Strange Vice of Mrs. Wardh is a carefully fashioned and engrossing thrill...
The House with Laughing Windows (La casa dalle finestre che ridon) opens and ends as a deathly serious meditation on suffering and art. This sense of dread begins with a series of highly disturbing images that play out in sepia tones, juxtaposed with the opening title cards – a man is chained, tortured and repeatedly stabbed by two hooded figures. ...
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An insurance investigator tries to determine any irregularities in the policy of a heiress' dead husband, but soon finds himself suspected of her murder. Director Sergio Martino Stars George Hilton Anita Strindberg Alberto de Mendoza. 25. Death Walks at Midnight.
Oct 10, 2023 · The Best Giallo (and Best Giallo-Inspired) Movies of All Time, from ‘Deep Red’ to ‘Cruising’. "Blood and Black Lace," "A Lizard in a Woman's Skin," and more movies defined the Italian ...
