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Gian Lorenzo (or Gianlorenzo) Bernini ( UK: / bɛərˈniːni /, US: / bərˈ -/, Italian: [ˈdʒan loˈrɛntso berˈniːni]; Italian Giovanni Lorenzo; 7 December 1598 – 28 November 1680) was an Italian sculptor and architect.
Gian Lorenzo Bernini. Italian Sculptor and Architect. Born: December 7, 1598 - Naples. Died: November 28, 1680 - Rome. Baroque Art and Architecture. "The white marble has to assume the likeness of a person, it has to have color, spirit and life." 1 of 4. Gian Lorenzo Bernini. Summary of Gian Lorenzo Bernini.
Apr 17, 2024 · Gian Lorenzo Bernini (born December 7, 1598, Naples, Kingdom of Naples [Italy]—died November 28, 1680, Rome, Papal States) was an Italian artist who was perhaps the greatest sculptor of the 17th century and an outstanding architect as well. Bernini created the Baroque style of sculpture and developed it to such an extent that other artists ...
His dynamic and exuberant style perfectly embodies the baroque period, of which he has become the symbol. Bernini excelled in every sculptural genre (portraiture, tomb sculpture, religious and mythological representations). He was equally creative in other media, including architecture, painting and drawing.
Gian Lorenzo Bernini dominated the Roman art world of the seventeenth century, flourishing under the patronage of its cardinals and popes while also challenging contemporary artistic traditions. His sculptural and architectural projects reveal an innovative interpretation of subjects, use of forms, and combination of media.
Jul 17, 2020 · Gian Lorenzo Bernini is remembered as one of the greatest sculptors and artists of the 17th century. Utilizing Christian subjects as well as elements of ancient Greco-Roman culture and mythology, he pioneered Baroque sculpture and art in Italy. His work was known for its painstakingly intricate ornamentation and highly dramatized nature.
Gian Lorenzo Bernini, (born Dec. 7, 1598, Naples, Kingdom of Naples—died Nov. 28, 1680, Rome, Papal States), Italian architect and artist credited with creating the Baroque style of sculpture. He began his career working for his father, a sculptor. Among his early sculptures are Apollo and Daphne (1622–24) and an active David (1623–24).
