Black God, White Devil
1964
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Glauber de Andrade Rocha (Portuguese pronunciation: [ˈɡlawbeʁ dʒi ɐ̃ˈdɾadʒi ˈʁɔʃɐ]; 14 March 1939 – 22 August 1981) was a Brazilian film director, actor and screenwriter. He was one of the most influential moviemakers of Brazilian cinema and a key figure of Cinema Novo .
- 1959–1981
- Anecy Rocha (sister)
Glauber Rocha (1939-1981) was a director, writer, producer and actor who pioneered the cinema novo movement in Brazil. He made films such as Entranced Earth, Black God, White Devil and Antonio das Mortes, and won international awards and acclaim.
- Director, Writer, Producer
- March 14, 1939
- 1 min
- August 22, 1981
Glauber Rocha. Glauber de Andrade Rocha ( Vitória da Conquista, 14 de março de 1939 — Rio de Janeiro, 22 de agosto de 1981) foi um cineasta brasileiro, considerado por críticos, jornalistas especializados e público como um dos maiores nomes da história do cinema brasileiro. [ 1] Reverenciado como um gênio revolucionário, foi um dos ...
- Glauber de Andrade Rocha
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Apr 4, 2024 · Glauber Rocha (born March 14, 1938, Vitória da Conquista, Bahia, Brazil—died August 23, 1981, Rio de Janeiro, Brazil) was a motion-picture director who was a leading figure in Brazil’s Cinema Novo (“New Cinema”). Scene from Antonio das mortes (1969), directed by Glauber Rocha. Rocha’s avant-garde films depict Brazil’s history and ...
- The Editors of Encyclopaedia Britannica
Glauber Rocha’s first full-length feature is a deep reflection on the way religion can repress the political conscience and interfere in human relations. Turning Wind is a prophetic film in Glauber Rocha ’s career, showing the power of cinema as an instrument of analysis and criticism of societies’ structures of power and its damaging ...
Aug 23, 1981 · Glauber Rocha, a film director who was a leading exponent of Brazil's ''new cinema,'' died in a Rio de Janeiro hospital yesterday from complications of a lung infection. He was 42 years old.
Glauber Rocha’s avant-garde films depict Brazil’s history and upheavals in its social and political scene in a stylized, often violent manner. He began his career as a journalist and film critic, and his first short film, Pátio (1959), caught the attention of critics and prompted his rise to fame.
