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  1. Signature. Gotthold Ephraim Lessing ( / ˈlɛsɪŋ /, German: [ˈɡɔthɔlt ˈʔeːfʁa.ɪm ˈlɛsɪŋ] ⓘ; 22 January 1729 – 15 February 1781) was a German philosopher, dramatist, publicist and art critic, and a representative of the Enlightenment era. His plays and theoretical writings substantially influenced the development of German ...

  2. Mar 21, 2024 · Gotthold Ephraim Lessing (born Jan. 22, 1729, Kamenz, Upper Lusatia, Saxony [Germany]—died Feb. 15, 1781, Braunschweig, Brunswick [Germany]) was a German dramatist, critic, and writer on philosophy and aesthetics. He helped free German drama from the influence of classical and French models and wrote plays of lasting importance.

  3. May 29, 2018 · A biography of the German dramatist, critic, theologian, and Enlightenment thinker Gotthold Ephraim Lessing (1729-1781). Learn about his life, works, and contributions to German theater, drama, and aesthetics.

  4. Gotthold Ephraim Lessing (January 22, 1729 – February 15, 1781) was a German writer, philosopher, publicist, and art critic, was one of the most outstanding representatives of the Enlightenment era. His theoretical and critical writings are remarkable for their often witty and ironic style, and he often worked his ideas into his plays and ...

  5. Gotthold Ephraim Lessing, (born Jan. 22, 1729, Kamenz, Upper Lusatia, Saxony—died Feb. 15, 1781, Braunschweig, Brunswick), German playwright and critic. After writing several light comedies, he became a theatre critic in Berlin in 1748. His play Miss Sara Sampson (1755) was the first German domestic tragedy.

  6. Gotthold Ephraim Lessing, the German dramatist and critic, was born at Kamenz in Saxony. The son of a scholarly Lutheran pastor, he was sent to study theology at Leipzig University. There, however, he absorbed the popular rationalism of the Enlightenment, whose leading contemporary exponent was the Leibnizian Christian Wolff, of Halle.

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  8. Gotthold Ephraim Lessing (1729-1781) is the most eminent literary figure of the German Enlightenment and a writer of European significance. His range of interest as dramatist, poet, critic, philosopher, theologian, philologist and much else besides was comparable to that of Voltaire, Diderot, and Rousseau, with all of whose ideas he engaged.

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