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Henri Cartier-Bresson was a French photographer whose humane, spontaneous photographs helped establish photojournalism as an art form. His theory that photography can capture the meaning beneath outward appearance in instants of extraordinary clarity is perhaps best expressed in his book Images à.
Apr 2, 2014 · Henri Cartier-Bresson, a filmmaker and co-creator of the photo agency Magnum, established photojournalism as an art form. Read more about Cartier-Bresson's life and career at...
With over a hundred images shot between 1969 and 2021 across the United States, Vehicular & Vernacular is the first retrospective of Stephen Shore’s work in Paris in nineteen years. On view at the Fondation Henri Cartier-Bresson until September 15,…
Aug 3, 2004 · Henri Cartier-Bresson. French Photographer and Filmmaker. Born: August 22, 1908 - Chantelop-en-Brie, France. Died: August 3, 2004 - Montjustin, France. Movements and Styles: Modern Photography. , Straight Photography. , Photojournalism. , Documentary Photography. "There is nothing in this world that does not have a decisive moment" 1 of 12.
Biography. Henri Cartier-Bresson has intuitively chronicled decisive moments of human life around the world with poetic documentary style. His photographs impart spontaneous instances with meaning, mystery, and humor in terms of precise visual organization, and his work, although tremendously difficult to imitate, has influenced many other ...
To tell Henri Cartier-Bresson’s story and to unravel his work is essentially to tell the story of a look. Throughout the 20th century, this roaming, lucid eye has captured the fascination of Africa in the 1920’s, crossed the tragic fortunes of Spanish republicans, accompanied the liberation of Paris, caught a weary Gandhi just hours before his assassination, and witnessed the victory of ...
Cartier-Bresson was drafted into the French army in 1940. He was taken prisoner by the Germans but escaped on his third attempt and joined the French Resistance. In 1946, he assisted in the preparation of a “posthumous” show of his work organized by the Museum of Modern Art in New York in the mistaken belief that he had been killed in the war.
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