Monster
2023
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Hirokazu Kore-eda (是枝 裕和, Koreeda Hirokazu, born 6 June 1962) [1] is a Japanese film director, producer, screenwriter, and editor. He began his career in television and has since directed more than a dozen feature films, including Nobody Knows (2004), Still Walking (2008), and After the Storm (2016). He won the Jury Prize at the 2013 ...
- 1991–present
IMDb profile of Kore-eda Hirokazu, a Japanese director, writer and editor known for his themes of memory, loss and documentary. See his credits, awards, photos, trivia and more.
- January 1, 1
- Director, Writer, Editor
- Tokyo, Japan
- Hirokazu Koreeda
6 hours ago · Kore-eda remembers his father as a withdrawn and largely absent figure. As a result, Kore-eda was raised by his older sisters and mother. When his father drank, Kore-eda says, he talked incessantly about his experiences in Siberia – of friends freezing to death, malnutrition and abuse – stories that scared and alienated his son.
May 18, 2023 · The best of director Kore-eda Hirokazu’s films achieve a rare quality: a sublime everydayness, in which simple matters of life take on breathtaking, poetic shape.He’s a close and affectionate ...
- Like Father, Like Son (2013) Switched at birth premises are used in many different genres. It could be the foundation for comedic hijinks, or it could also be the answer to a terrifying mystery in a horror film.
- Maborosi (1995) In Kore-eda’s directorial debut Maborosi, the film follows new mother Yumiko (Makiko Esumi), who must cope with the loss of her husband after his sudden death.
- Shoplifters (2018) In the same year that Alfonso Cuaron’s Roma swept through all the international categories of awards season, Kore-eda’s Shoplifters skyrocketed the director to international stardom.
- The Truth (2019) Starring the likes of Catherine Deneuve, Juliette Binoche, and Ethan Hawke, Kore-eda 's first film set outside Japan, The Truth, definitely had many great actors jumping at the opportunity to be in it.
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Dec 9, 2023 · The director of Monster talks about the complexities (and simplicities) of portraying multiple points of view, how to find the emotional climax of a story, and why he’s so uncomfortable with strong male protagonists. He also shares his approach to building a world for his films, finding the actors’ emotional moments, and comparing his film to Akira Kurosawa’s Rashomon.
Mar 14, 2024 · Midway through Monster, the tonic of a new film from Japanese director Hirokazu Kore-eda, a school principal offers a cynical life lesson.“What actually happened doesn’t matter,” she says ...
