Celia Johnson
Matty Matheson
Search results
I Believe in You is a 1952 British drama film directed by Michael Relph and Basil Dearden, starring Celia Johnson and Cecil Parker and is based on the book Court Circular by Sewell Stokes. Inspired by the recently successful The Blue Lamp (1950), Relph and Dearden used a semi-documentary approach in telling the story of the lives of probation ...
- Michael Relph, Basil Dearden
- Ernest Irving
- 5 March 1952
I Believe in You: Directed by Basil Dearden, Michael Relph. With Cecil Parker, Celia Johnson, Harry Fowler, Joan Collins. When a retired colonial serviceman takes a job as a probation officer he finds it a challenge.
- (279)
- Drama
- Basil Dearden, Michael Relph
- 1952-07-24
I Believe in You (1952) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular ...
I Believe in You (1952) 18-year-old Joan Collins had her most important role to date in this brilliantly-acted Ealing film. She played Norma, a petulant youngster who finds herself in trouble with the police, placed on probation, and falling in love with another probationer, Charlie Hooker (Harry Fowler). Cecil Parker plays Henry Phipps, the 40 ...
Two British probation officers (Celia Johnson, Cecil Parker) help two juvenile delinquents from the slums. Director Basil Dearden, Michael Relph Screenwriter Basil Dearden, Nicholas Phipps ...
- Drama
People also ask
Who are the actors in 'I believe in You'?
Is I believe in you based on a true story?
What is I believe in You?
What is the music video for 'I believe'?
I Believe in You is a 1952 British drama film directed by Michael Relph and Basil Dearden, starring Celia Johnson and Cecil Parker and is based on the book Court Circular by Sewell Stokes. Inspired by the recently successful The Blue Lamp (1950), Relph and Dearden used a semi-documentary approach in telling the story of the lives of probation officers and their charges.
The film settles upon Cecil Parker, a compassionate official who takes special interest in the parolees. Parker tries simultaneously to reform a hardened criminal, and to dissuade a budding juvenile delinquent from a life of perdition. The semi-documentary approach established early in I Believe in You gives way to sentiment as the film winds down.
