Franco Interlenghi
Moraldo
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I vitelloni (Italian pronunciation: [i vitelˈloːni], literally "The bullocks" - Romagnol slang for "The slackers" or "The layabouts") is a 1953 Italian comedy drama film directed by Federico Fellini from a screenplay written by himself, Ennio Flaiano and Tullio Pinelli.
The Bullocks: Directed by Federico Fellini. With Franco Interlenghi, Alberto Sordi, Franco Fabrizi, Leopoldo Trieste. A character study of five young men at crucial turning points in their lives in a small town in Italy.
- (19K)
- Comedy, Drama
- Federico Fellini
- 1956-11-07
I Vitelloni streaming: where to watch online? Currently you are able to watch "I Vitelloni" streaming on Max, Max Amazon Channel, Criterion Channel. It is also possible to buy "I Vitelloni" on Apple TV, Amazon Video as download or rent it on Apple TV, Amazon Video online.
- (201)
- 1953
- Moraldo Rubini; Alberto; Fausto Moretti
- Federico Fellini
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Five young men dream of success as they drift lazily through life in a small Italian village. Fausto (Franco Fabrizi), the group's leader, is a womanizer; Riccardo craves fame; Alberto (Alberto ...
- (244)
- Franco Interlenghi
- Federico Fellini
- Comedy, Drama
An Oscar nominee for best original screenplay, I vitelloni captures the lassitude and longing of its protagonists with comic insight and compassion. Federico Fellini’s second outing as a solo director yielded his first commercial success, a clear-eyed portrait of five young men lingering in a postadolescent limbo, dreaming of adventure and ...
- Moraldo
Film Details. Awards. Articles & Reviews. Notes. Brief Synopsis. Five friends struggle to escape the boredom of their provincial hometown in Italy. Cast & Crew. Read More. Federico Fellini. Director. Alberto Sordi. Franco Interlenghi. Moraldo. Leopoldo Trieste. Franco Fabrizi. Fausto. Riccardo Fellini. Photos & Videos. View All. Film Details.
Aug 23, 2004 · Filmed in 1953, between the brilliant but somewhat superficial The White Sheik (1952) and his first fully characteristic work, La Strada (1954), I Vitelloni marks a big step forward in Fellini’s ability to get deep into his characters’ psychology; it points ahead both to the bitter social satire of La Dolce Vita (1960) and to the great canvases ...
