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  1. en.wikipedia.org › wiki › Irina_KorinaIrina Korina - Wikipedia

    Irina Korina (born 1977, Moscow, Russia) is a Russian installation artist. Biography [ edit ] Graduated from the stage design faculty at the Russian Theater Academy, Moscow, in 2000, and also participated in the Valand Academy Exchange Program in Sweden.

  2. Official website of contemporary artist Irina Korina (b.1977, Moscow, Russia) 18 May 2021 – 18 May 2022 // Moscow, Russia // Transport Museum, VDNKh, Pavilion № 26. Installation “The Horn of Plenty” at exhibition Moskvich’s Dream. 18 – 20 September 2021 // Moscow, Russia // Central Exhibition Hall Manege.

  3. Irina Korina. At over 2 metres high, Irina Korina’s Capital (2012), a column-like ‘ruin’ composed of what looks like refuse material, stands as an ironic monument to contemporary culture. The sculpture is made up of ordinary thin plastic bags filled with discarded, donation clothing, tied up and hung flaccidly from the centre of a banged ...

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  5. Irina Korina graduated from Russian Academy of Theatre Arts in 2000 (faculty of stage design). She also studied at Institute of Contemporary Art in Moscow, and in the Academy of Fine Arts in Vienna. As a stage designer, she collaborated with many Russian theaters, from the beginning of 2000-s started working in cinema.

  6. Russian Art Focus met with artist Irina Korina whose large-scale installations are exhibited in major museums in Moscow and around the world. In 2021 she was...

    • Aug 31, 2021
    • 5.1K
    • Art Focus Now
  7. 2010 Grove, Garage Museum. 2009 Column, Museum Folkwang, Essen. 2004 Back to the Future, XL Gallery. 2003 Modules, MUHKA, Antwerp. 2003 Urangst, XL Gallery. 2001 Camouflage, XL Gallery. 2000 29 Transformations, XL Gallery. Selected works by Irina Korina from 2001 to present. Installations, sculptures within solo and group exhibitions.

  8. Jul 13, 2021 · Irina Korina (b. 1977) is a nightmare for a museum conservator and a dream-come-true for a chief curator. Unquestionably, the multi-part large-scale installations, that have made her one of the most renowned Russian contemporary art artists in the past decade, both in Russia and abroad, are extremely problematic to store and not easy to reassemble.

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