Doctor's Diary
2008
Search results
Assistant director. Years active. 1966–2018. Awards. Deutscher Filmpreis. Irmgard Hermann (4 October 1942 – 26 May 2020) was a German actress. She worked in film, television, and the stage, appearing in over 160 film and television productions. She was discovered, without formal training, by Rainer Werner Fassbinder who cast her in many of ...
Irm Hermann. Actress: Five Last Days. Irm Hermann was born on 4 October 1942 in Munich, Bavaria, Germany. She was an actress and assistant director, known for Five Last Days (1982), The Bitter Tears of Petra von Kant (1972) and The Merchant of Four Seasons (1972).
- January 1, 1
- Munich, Bavaria, Germany
- January 1, 1
- Berlin, Germany
May 28, 2020 · Irm Hermann, one of Rainer Werner Fassbinder ’s closest collaborators, has died in Berlin aged 77 following what her agent called a “short, serious illness”. The actor, who was a staple of ...
People also ask
Who is Irm Hermann?
Who was Irmgard Hermann?
Is Irm Hermann dead or still alive?
Who was Irm Hermann in the Merchant of the four seasons?
May 28, 2020 · Irm Hermann in Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant (1972) . T hough she worked with Werner Herzog, Percy Adlon, Ulrike Ottinger, and Christoph Schlingensief and appeared in dozens of popular German television series, Irm Hermann, who has passed away at the age of seventy-seven, will always be remembered first for the more than twenty films she made with Rainer ...
Irm Hermann. Actress: Five Last Days. Irm Hermann was born on 4 October 1942 in Munich, Bavaria, Germany. She was an actress and assistant director, known for Five Last Days (1982), The Bitter Tears of Petra von Kant (1972) and The Merchant of Four Seasons (1972).
- October 4, 1942
- May 26, 2020
May 26, 2020 · Irm Hermann. Biography. Irmgard Hermann (4 October 1942 – 26 May 2020) was a German actress. She worked in film, television, and the stage, appearing in over 160 ...
In The Bitter Tears of Petra von Kant, Hermann plays Marlene, the submissive assistant of Fräulein von Kant (Margit Carstensen). Over the course of 124 minutes, she doesn’t have a single line of dialogue. Yet from her first appearance to her final exit to the tune of the Platters’ “The Great Pretender,” Marlene’s masochistic devotion ...
