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1. www.bbc.co.uk › news › articlesVienna goes wild for Beethoven masterpiece at 200 - BBC News

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   May 6, 2024 · Based on a poem by Friedrich von Schiller, it embraces a vision of universal brotherhood. Beethoven's Ninth was "revolutionary," Otto Biba said. The musicologist Otto Biba said the symphony was...

2. www.britannica.com › biography › Friedrich-SchillerFriedrich Schiller | German Poet, Playwright, Historian

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   4 days ago · Friedrich Schiller (born Nov. 10, 1759, Marbach, Württemberg [Germany]—died May 9, 1805, Weimar, Saxe-Weimar) was a leading German dramatist, poet, and literary theorist, best remembered for such dramas as Die Räuber (1781; The Robbers), the Wallenstein trilogy (1800–01), Maria Stuart (1801), and Wilhelm Tell (1804).

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   Who was Friedrich Schiller?

   • Friedrich Schiller (born Nov. 10, 1759, Marbach, Württemberg [Germany]—died May 9, 1805, Weimar, Saxe-Weimar) was a leading German dramatist, poet, and literary theorist, best remembered for such dramas as Die Räuber (1781; The Robbers ), the Wallenstein trilogy (1800–01), Maria Stuart (1801), and Wilhelm Tell (1804).

   Friedrich Schiller | German Poet, Playwright, Historian

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   Why did Schiller accept Körner?

   • Schiller had accepted Körner’s generous offer of hospitality and financial help in the spirit in which it was made. He gave jubilant expression to his new mood of contentment in his hymn “An die Freude” (“Ode to Joy”), which Beethoven was to use for the choral movement of his Ninth Symphony.

   Friedrich Schiller | German Poet, Playwright, Historian

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   Where did Schiller live?

   • For some tense weeks Schiller led the hand-to-mouth life of a refugee, until he found a temporary home with Henriette von Wolzogen, whose sons had been fellow students of his and who invited him to stay at her house at Bauerbach in Thuringia. There he finished his third tragedy, Kabale und Liebe (1784; Cabal and Love ).

   Friedrich Schiller | German Poet, Playwright, Historian

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   Why did Schiller go to Mannheim?

   • To escape from this intolerable situation, Schiller fled from Stuttgart at night and set out for Mannheim in the hope of receiving help from Heribert Baron von Dalberg, the director of the theatre that had launched his first play.

   Friedrich Schiller | German Poet, Playwright, Historian

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4. www.charitonleader.com › news › nationalOde to joy: How Austria shaped Beethoven's Ninth | National ...

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   May 6, 2024 · His revolutionary idea to incorporate parts of Friedrich von Schiller's lyrical verse "Ode to Joy" paradoxically made his symphony more susceptible to misuse, including by the Nazis and the Communists. The verses "convey a feeling of togetherness, but are relatively open in terms of ideological (interpretation)," Kraus said.

5. www.france24.com › en › live-newsOde to joy: How Austria shaped Beethoven's Ninth

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   May 6, 2024 · His revolutionary idea to incorporate parts of Friedrich von Schiller's lyrical verse "Ode to Joy" paradoxically made his symphony more susceptible to misuse, including by the Nazis and the ...

6. Videos

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     Video of the day | Reliving the 18th Century in Schiller

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7. blog.gale.com › beethovens-ninth-symphony-debutsBeethoven’s Ninth Symphony Debuts

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   May 7, 2024 · 5 min read. | By J. Robert Parks |. Ludwig van Beethoven’s final Ninth Symphony is one of the most famous works of classical music. Its fourth movement in particular, which includes the stirring choral arrangement of Friedrich von Schiller’s “Ode to Joy,” has become a hallmark of movies, commercials, and even ringtones.

8. www.dailysabah.com › arts › beethovens-ninthBeethoven's Ninth symphony: Tale of anxiety, triumph and ...

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   His revolutionary idea to incorporate parts of Friedrich von Schiller's lyrical verse "Ode to Joy" paradoxically made his symphony more susceptible to misuse, including by the Nazis ...

9. www.uni-mannheim.de › en › newsFriedrich Schiller, das Mannheimer Nationaltheater und die ...

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   5 days ago · „Schiller stand mitten im Leben, auch wenn er das Leben hauptsächlich durch Bücher und Lektüre erfahren hat“, so der Literaturwissenschaftler. In seiner neuen Monografie, die auch für Nicht-Expert*innen gut verständlich ist, konzentriert sich Kittstein auf eingehende Analysen von Schillers Bühnenwerken und auf das Theaterleben im 18.