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  1. 1926-1953. Spouse. Wera Engels (1941-1953) Ivan Lebedeff (born Ivan Vasilyevich Lebedev (Russian: Иван Васильевич Лебедев ), 18 June 1894 – 31 March 1953) was a Russian film actor, lecturer and writer. He appeared in 66 films between 1926 and 1953. In 1940, his novel, Legion of Dishonor, was published.

  2. www.imdb.com › name › nm0495519Ivan Lebedeff - IMDb

    Ivan Lebedeff. Actor: The Gay Diplomat. Lithuanian-born Ivan Lebedeff was educated at the University of St. Petersburg. He was slated for a diplomatic career in the Imperial Lyceum at Tsarskoye Selo - a natural progression, since his aristocratic father was a highly-placed advisor to Tsar Nicholas II of Russia.

    • January 1, 1
    • Los Angeles, California, USA
    • January 1, 1
    • 1.85 m
  3. Ivan Lebedeff. Actor: The Gay Diplomat. Lithuanian-born Ivan Lebedeff was educated at the University of St. Petersburg. He was slated for a diplomatic career in the Imperial Lyceum at Tsarskoye Selo - a natural progression, since his aristocratic father was a highly-placed advisor to Tsar Nicholas II of Russia.

    • June 18, 1894
    • March 31, 1953
  4. Ivan Lebedeff was a Russian-born actor who had a successful Hollywood career from 1927 to 1939. He appeared in films such as "The Sorrows of Satan", "History Is Made at Night" and "The Mystery of Mr. Wong".

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  5. Nov 28, 2017 · Ivan Lebedeff is not exactly one of the household names in the Tinseltown pantheon. Nevertheless, the actor - often called "Hollywood's champion hand-kisser" - had quite a career. That, in itself, is clear from the fact that his burial place lies in the rarified shadows of the grand tomb of Mary Pickford in the…

  6. Ivan Lebedeff was an actor who had a successful Hollywood career. Lebedeff started his acting career landing roles in such films as "The Love of Sunya" (1927), "The Sorrows of Satan" (1927) with Ricardo Cortez and "Walking Back" (1928).

  7. Apr 14, 2021 · April 14, 2021. Frank Borzage’s History Is Made at Night is a post-screwball melodrama that turns a jaundiced eye toward the institution of marriage espoused by the popular comedies of the early 1930s, even as it fiercely and passionately affirms the power of romantic love. Meticulously crafted as if to give the impression that even the ...

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