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October 25, 1946. Genre. Action, Gothic. edit data. Pseudonyms: Janine Fitzpatrick, J.F. Farber. In addition to his experience in writing action novels, James Fritzhand has written for numerous television series (Hotel and Falcon Crest, for instance). He also has considerable credits as a script consultant and television producer.
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Apr 30, 2024 · James Fritzhand: Half a century! My God, doesn’t that make me feel ancient? But to answer your question: I suspect most, not all, mind you, but certainly most modern readers will pay no attention at all. Their eyes will be buried in their phones, their thoughts on matters far more mundane than resurrected 50-year-old novels.
by James Fritzhand ‧ RELEASE DATE: July 22, 1981. Don't be fooled by the Chekhovian title--or by the cameo appearances of Turgenev and Tolstoy. This Russian family saga, 1881-1903, is standard melodrama/romance fare (if somewhat seamier than most period bustles), with no attempt to evoke the textures and depths of the great Russian writers.
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With acid-etched parody and dazzling acrobatic wit, Son of the Great American Novel is a blockbuster trip through instant fame, the deli society of the literary elite, and the turbulent soul of a dewy-eyed youth on the threshold of carnal knowledge. Show more. 218 pages, Paperback. First published June 1, 1978.
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Jun 1, 2023 · Jun 1, 2023. 4. Share. This morning I released a new episode of the Sighs and Whispers podcast —a conversation with author, screenwriter and TV producer James Fritzhand. Below is an introduction to James—you can listen to our discussion on Soundcloud, Apple Podcasts, Stitcher and Spotify.
James Fritzhand. 2.50. 8 ratings4 reviews. Set in a rambling, rural manor of Czarist Russia, this old-time Russian saga follows the passions and intrigues in the lives of four sisters. Genres Russia Historical Romance. 590 pages, Paperback.
Jun 1, 2023 · Originally from Brooklyn, James Fritzhand published his first novel in 1971, ‘Son of the Great American Novel.’ He went on to publish seventeen further novels, across many genres and using several pseudonyms. In the early 1980s, Fritzhand became a television screenwriter—writing for many major prime
