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  1. James Laxton
    American cinematographer

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  1. en.wikipedia.org › wiki › James_LaxtonJames Laxton - Wikipedia

    James Laxton is an American cinematographer who is best known for his collaborations with filmmaker Barry Jenkins, specifically his work on Jenkins' 2016 film Moonlight, for which he won an Independent Spirit Award and received an Academy Award nomination.

  2. www.imdb.com › name › nm0493439James Laxton - IMDb

    James Laxton was born on 3 February 1981 in San Francisco, California, USA. He is a cinematographer, known for The Underground Railroad (2021), If Beale Street Could Talk (2018) and Moonlight (2016). He is married to Bex Crofton-Atkins. He was previously married to Adele Romanski.

    • January 1, 1
    • 2 min
    • San Francisco, California, USA
  3. See the powerful images that inspired Cinematographer James Laxton. The story of Moonlight invites the audience to follow the life of a character who’s young, black, queer and who feels so ...

  4. The cinematographer of Moonlight, James Laxton, breaks down four of the film’s most mesmerizing scenes.

  5. Dec 16, 2018 · James Laxton, the cinematographer behind Moonlight and If Beale Street Could Talk, talks about his collaboration with director Barry Jenkins, his use of color and composition, and his approach to adapting James Baldwin's novel. Read the exclusive interview and learn how they created the look and feel of the film.

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  7. May 24, 2021 · James Laxton, the cinematographer for Barry Jenkins' Amazon series 'The Underground Railroad', talks about how they subverted expectations and avoided gratuitous violence in the adaptation of Colson Whitehead's novel. Watch the exclusive video interview with Laxton and learn more about the series and its awards prospects.

  8. Jan 13, 2017 · Learn how James Laxton shot the Oscar-contending drama with a dreamlike quality, using Miami street lamps, moonlight, and different camera angles. See how he captured the story of Chiron's identity and his relationship with Kevin in the diner scene.

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