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Biography. James Abbott McNeill Whistler was born in the industrial town of Lowell, Massachusetts. Inducted into the U.S. Military Academy at West Point, he accumulated so many demerits that he became a sore trial to the then-commandant Major Robert E. Lee.
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James Abbott McNeill Whistler (/ˈwɪslər/; July 10, 1834 – July 17, 1903) was an American artist, active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and was a leading proponent of the credo "art for art's sake". His famous signature for his ...
James McNeill Whistler (1834–1903) James McNeill Whistler participated in the artistic ferment of Paris and London in the late nineteenth century, crafted a distinctive style from diverse sources, and arrived at a version of Post-Impressionism in the mid-1860s, a time when most of his contemporaries in the avant-garde were still exploring ...
One of the most significant figures in modern art and a forerunner of the Post-Impressionist movement, James Abbott McNeill Whistler is celebrated for his innovative painting style and eccentric personality. He was bold and self-assured, and quickly developed a reputation for his verbal and legal retaliations against art critics, dealers, and ...
Dec 8, 2023 · At the Smithsonian | December 8, 2023. How James McNeill Whistler Captured Life in the Big City. The painter’s streetscapes and neighborhood scenes mesmerize, but now he is being recognized...
Biography. James Abbott McNeill Whistler (; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".
Nov 9, 2012 · James Abbott McNeill Whistler (; July 10, 1834 – July 17, 1903) was an American painter in oils and watercolor, and printmaker, active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake".
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