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Jane C. Ginsburg. Jane Carol Ginsburg FBA (born July 21, 1955) is an American attorney. She is the Morton L. Janklow Professor of Literary and Artistic Property Law at the Columbia Law School. She also directs the law school's Kernochan Center for Law, Media and the Arts. [1] In 2011, Ginsburg was elected to the British Academy.
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- James Steven Ginsburg (brother)
Jane C. Ginsburg is a professor of law and the Morton L. Janklow Professor of Literary and Artistic Property Law at Columbia Law School. She teaches and writes about copyright law, international copyright law, legal methods, statutory methods, and trademark law. She is also the author or co-author of casebooks on these subjects and a fluent speaker of French and Italian.
Jane C. Ginsburg is a leading expert on copyright and related areas of law, such as international, comparative, and new technologies law. She is the Morton L. Janklow Professor of Literary and Artistic Property Law at Columbia University, a visiting professor at various other institutions, and a member of the American Academy of Arts and Sciences and the British Academy.
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Jane C. Ginsburg. Morton L. Janklow Professor of Literary and Artistic Property Law, School of Law . My Contact Info. 710 Jerome Greene Hall, Box D-9, Mail Code: 4077 ...
Apr 2, 2024 · Jane C. Ginsburg, intellectual property expert: ‘We are not ready to accept the idea of the machine being the author’ The Columbia University professor and daughter of U.S. Supreme Court Justice and feminist icon Ruth Bader Ginsburg, reflects on the challenges posed by new technology
Learn about the life and work of Jane C. Ginsburg, a renowned authority on intellectual property law and a staunch defender of authors’ rights. She teaches and writes about copyright law, international copyright law, legal methods, statutory methods, and trademark law, and is the author or co-author of several casebooks and publications.
--Jane C. Ginsburg * Abstract . Introduction . The Berne Convention 1971 Paris Act covered the right of communication to the public incompletely and imperfectly through a tangle of occasionally redundant or self-contradictory provisions on “public performance;” “communication to the public,” “public communication,”
