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Feb 24, 2019 · Beachler, the film’s production designer, was honored with set decorator Jay Hart, who received his first Oscar after two previous nominations, for Pleasantville and L.A. Confidential.
Katie Spencer is a British set decorator.. She has been nominated for an Academy Award for Best Production Design seven times for her set decoration in Joe Wright's films: Pride & Prejudice (2005), Atonement (2007), Anna Karenina (2012), and Darkest Hour (2017), and for the major box office successes such as Guy Ritchie's Sherlock Holmes (2009), Bill Condon's Beauty and the Beast (2017), and ...
Jay Robert Hart is a set decorator who has worked in the film industry since the early 1990s. Hart and art director Jeannine Oppewall were nominated for the Academy Award for Best Art Direction for L.A. Confidential (1997) and for Pleasantville (1998).
Hannah Beachler (production designer), Jay Hart (set decorator) The Favourite: Fiona Crombie (production designer), Alice Felton (set decorator) First Man: Nathan Crowley (production designer), Kathy Lucas (set decorator) Mary Poppins Returns: John Myhre (production designer), Gordon Sim (set decorator) Roma
James W. Payne (November 11, 1929 – August 12, 1992) was an American set decorator. He won an Academy Award and was nominated for two more in the category Best Art Direction. Selected filmography. Payne won an Academy Award for Best Art Direction and was nominated for two more: Won. The Sting (1973) Nominated. Come Blow Your Horn (1963)
F. Keogh Gleason. Francis Keogh Gleason (April 14, 1906 – December 18, 1982) was a resident set decorator at MGM studios for over 40 years. In that time he won 4 Academy Awards (for An American in Paris in 1951, The Bad and the Beautiful in 1952, Somebody Up There Likes Me in 1956 and "Gigi" in 1958) and was nominated an additional 3 times.
Peter Young. Occupation. Set decorator. Years active. 1968-present. Peter Young is a set decorator. He has won two Academy Awards in the category Best Art Direction for the films Batman [1] and Sleepy Hollow. [2]
