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  1. Jean-Auguste-Dominique Ingres ( / ˈæŋɡrə, ˈæ̃ɡrə / ANG-grə, French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style.

  2. Mar 14, 2024 · Jean-Auguste-Dominique Ingres. Born: August 29, 1780, Montauban, France. Died: January 14, 1867, Paris (aged 86) Awards And Honors: Prix de Rome. Movement / Style: Neoclassical art. J.- A.-D. Ingres (born August 29, 1780, Montauban, France—died January 14, 1867, Paris) was a painter and icon of cultural conservatism in 19th-century France.

  3. Born in 1780 in the southern French town of Montauban, Jean-Auguste-Dominique Ingres had early instruction from his father, an artist in the town's employ. The boy showed a precocious musical and artistic talent. Aged twelve, he was enrolled at the Academy of Toulouse, under the painter Joseph Roques, a friend of Jacques-Louis David.

  4. Jean-Auguste-Dominique Ingres. French Painter. Born: August 29, 1780 - Montauban, France. Died: January 14, 1867 - Paris, France. Neoclassicism. Romanticism. Orientalism. "Drawing is the probity of art.

  5. Jean-Auguste-Dominique Ingres. Ingres was steeped in the academic tradition, which centred on study from the nude and classical art. He became the defender of a rigid classicism which contrasted with the Romanticism of Delacroix. Ingres saw himself as a history painter, the highest goal of academic art.

  6. Sep 5, 2022 · Jean-Auguste-Dominique Ingres was a French artist who was part of the Neoclassicism movement in the 1800s. Ingres’ paintings such as La Grande Odalisque (1814) displayed his desire to maintain the principles of the academic art traditions in defiance of the emerging Romantic movement.

  7. Jean-Auguste-Dominique Ingres, the neo-classical French artist par excellence, painted this masterpiece toward the end of his life when his reputation as a portraitist to prominent citizens and Orléanist aristocrats had been long established. Pauline de Broglie sat for the artist’s final commission.

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