Search results
Jerry Fielding (born Joshua Itzhak Feldman; June 17, 1922 – February 17, 1980) was an American jazz musician, arranger, band leader, and film composer who emerged in the 1960s after a decade on the blacklist, [citation needed] to create boldly diverse and evocative Oscar-nominated scores, primarily for gritty, often brutally savage, films in ...
Composer. Music Department. Soundtrack. IMDbPro Starmeter See rank. A three-time Oscar nominee, Jerry Fielding was among the boldest and most experimental of all Hollywood film composers. His music typically utilized advanced compositional procedures, producing dense, often richly dissonant orchestral textures, sometimes flavored with jazz.
A three time Oscar nominee, Jerry Fielding was among the boldest and most experimental of all Hollywood film composers. Typically, his music utilized advanced compositional procedures, producing dense, often richly dissonant orchestral textures, sometimes flavoured with jazz.
Jerry Fielding, Dan Carlin and Chris Newman were guests of a Workshop on Sound and Music in the Cinema presented by the Appalachian Regional Media Center in Athens, Ohio, October 5-7, 1979. The well-known Hollywood composer, Jerry Fielding, began studying music in his late teens with Max Atkins.
Jerry Fielding was an American jazz musician, arranger, band leader, TV and film composer who emerged in the 1960s to create boldly diverse and evocative Oscar-nominated scores. He formed working partnerships with both Sam Peckinpah and Clint Eastwood. Fielding was born in Pittsburgh, to Russian-born American Jews.
Jerry Fielding (17 June 1922 – 17 February 1980; age 57), born Joshua Itzahk Feldman, wrote two scores for the original Star Trek series, and later in his career he earned three Academy Award nominations and won an Emmy for Outstanding Dramatic Underscore (for the 1979 TV special High Midnight...
Jerry Fielding (born Joshua Itzhak Feldman; June 17, 1922 – February 17, 1980) was an American jazz musician, arranger, band leader, and film composer who emerged in the 1960s after a decade on the blacklist, to create boldly diverse and evocative Oscar-nominated scores, primarily for gritty, often brutally savage, films in western and crime ...
