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  1. en.wikipedia.org › wiki › Jon_SpaihtsJon Spaihts - Wikipedia

    Jon Spaihts (/ s p eɪ t s /) (born February 4, 1970) is an American screenwriter and author. He is best known for co-writing Denis Villeneuve's Dune (2021) and its sequel Dune: Part Two (2024), both films based on the novel of the same name by Frank Herbert.

    • February 4, 1970 (age 53), New York City, U.S.
    • Johanna Watts
    • Screenwriter, author
    • 1996–present
  2. www.imdb.com › name › nm3123612Jon Spaihts - IMDb

    Jon Spaihts is an American screenwriter and author of science fiction films such as Dune, Doctor Strange, and Prometheus. He is also the executive producer of Minecraft and the director of A Flight to Remember.

    • New York City, New York, USA
    • 4 min
    • Writer, Producer, Director
  3. Mar 9, 2024 · Co-writer Jon Spaihts reveals how they adapted Alia Atreides, the trickiest character in Dune, as a sentient fetus and a grown-up vision. He also explains why they cut the time jump and the toddler Alia from the film.

    • belen.edwards@mashable.com
    • Entertainment Reporter
  4. Jon Spaihts is an American screenwriter and author of science fiction films, such as Dune, Doctor Strange, and Prometheus. He was born in New York City and married to Johanna Watts since 2011.

  5. Mar 10, 2024 · The co-writer of Dune: Part Two talks about the potential adaptation of Dune Messiah, the sequel to Frank Herbert's sci-fi classic. He reveals what excites him most about the time jump, the political conflict, and the cautionary tale of Paul Atreides.

    • belen.edwards@mashable.com
    • Entertainment Reporter
  6. Mar 13, 2024 · But Jon Spaihts, who co-wrote both Dune movies with Villeneuve, said they considered ending Part One with the time jump before deciding against it. “We knew it was coming, and [it was] one of...

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  8. Mar 23, 2022 · Oscar-Nominated “Dune” Screenwriter Jon Spaihts on Decoding Frank Herbert’s Tome. March 23, 2022. By Bryan Abrams. For Dune ‘s Oscar-nominated screenwriter Jon Spaihts, the opportunity to help Denis Villeneuve find a way to crack the elusive code to adapting Frank Herbert’s magisterial, meaty sci-fi tome came at a funny time.

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