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Jonathan A. Rosenbaum. Director. Producer. Second Unit Director or Assistant Director. IMDbPro Starmeter See rank. Jonathan A. Rosenbaum is known for R.L. Stine's the Haunting Hour (2010), Fraggle Rock: Back to the Rock (2022) and First Wave (1998). Add photos, demo reels.
Contrary to Jonathan Rosenbaum’s introduction to his interview with Jacques Rivette (Film Comment, Sept.-Oct.1974), the first major Cahiers critic to embark on a feature film was Claude Chabrol, not Rivette. Chabrol shot LE BEAU SERGE between December 1957 and February 1958, finished editing in May, and presented the film at the Locarno ...
Sep 11, 2023 · Updated on September 11, 2023. For anyone who might be interested, here’s an up-to-date bio: Jonathan Rosenbaum was film critic for the Chicago Reade r from 1987 to 2008. Born in Alabama in 1943, the son and grandson of movie exhibitors, he grew up in a house designed by Frank Lloyd Wright.
Jonathan Rosenbaum (born February 27, 1943) is an American film critic and author. Rosenbaum was the head film critic for The Chicago Reader from 1987 to 2008, when he retired. He has published and edited numerous books about cinema and has contributed to such notable film publications as Cahiers du cinéma and Film Comment.
- 1969–present
- February 27, 1943 (age 80), Florence, Alabama, U.S.
Jonathan A. Rosenbaum is known as an Director, Actor, and Executive Producer. Some of his work includes Girl Meets World, Raven's Home, Stuck in the Middle, Pants on Fire, Bizaardvark, Coop & Cami Ask The World, Sydney to the Max, and Cop and a Half: New Recruit.
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Feb 27, 2013 · Film critic Jonathan Rosenbaum was born on February 27, 1943, which means that today is his 70th birthday. To celebrate, Fandor’s Ignatiy Vishnevetsky and Kevin B. Lee visited Rosenbaum at his...
Oct 11, 2006 · October 11, 2006. “There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands.” So begins film critic Jonathan Rosenbaum’s essay for the Criterion Collection edition of Orson Welles’s playful masterpiece of trickery, F for Fake.
