Ann Sheridan
Lola Mears
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Juke Girl is a 1942 American drama film directed by Curtis Bernhardt, written by A. I. Bezzerides, and starring Ann Sheridan and Ronald Reagan. The supporting cast includes Richard Whorf, George Tobias, Gene Lockhart, Alan Hale Sr., Howard Da Silva, Donald MacBride, Faye Emerson, Willie Best, and Fuzzy Knight.
- $1.1 million (US rentals)
- Jack Saper, Jerry Wald
Juke Girl: Directed by Curtis Bernhardt. With Ann Sheridan, Ronald Reagan, Richard Whorf, George Tobias. Danny and Steve are migrant farm workers who wind up in Cat Tail, Florida. Cat Tail is run by Madden Packing and Danny works for Madden while Steve works for the underdog farmer named Nick.
- (527)
- Crime, Drama, Mystery
- Curtis Bernhardt
- 1942-05-30
Synopsis. Steve Talbot and Danny Malone, two itinerant farmworkers, join the crowd streaming into Cat-Tail, Florida to work the crops. On the way, they encounter Skeeter, a young girl who has become expert in scavenging for her family, as well as Lola Mears and Violet "Murph" Murphy two "juke girls" who entertain at roadhouses known as "juke ...
- Curtis Bernhardt, Hugh Cummings, Jesse Hibbs
- Ann Sheridan
Synopsis. During the depths of the Great Depression a hitch-hiker Steve Talbot and jukebox-joint hostess Lola Mears stumble into Cat-Tail Florida where farmers and pickers struggle under the buyer who rules by monopoly, dirty contracts and violence.
- (536)
- Curtis Bernhardt
Reagan's attempts to help a troubled farmer just make Lockhart angrier, leading to escalating violence. Of course, in the meantime, a romance is blooming between Reagan and a local "juke girl" (Sheridan). He wants to settle down, but she's not ready.
Henry Madden. In Theaters At Home TV Shows. Advertise With Us. Fruit picker Steve Talbot (Ronald Reagan) sides with Greek farmer Nick Garcos (George Tobias) in his feud with packing-plant owner...
- Crime, Drama
Oct 17, 2014 · Juke Girl. 1941. USA. Directed by Curtis Bernhardt. 90 min. With Ronald Reagan, Richard Whorf, George Tobias, Gene Lockhart. Sheridan is at her shrewd, sassy best in what proved to be one of the last of Warner Bros.’ great social issue films.
