Julia Margaret Cameron (née Pattle; 11 June 1815 – 26 January 1879) was a British photographer who is considered one of the most important portraitists of the 19th century. She is known for her soft-focus close-ups of famous Victorian men and women, for illustrative images depicting characters from mythology, Christianity, and literature ...
Julia Margaret Cameron (née Pattle; 11 June 1815 – 26 January 1879) was a British photographer who is considered one of the most important portraitists of the 19th century. She is known for her soft-focus close-ups of famous Victorian men and women, for illustrative images depicting characters from mythology, Christianity, and literature ...
Jan 22, 2023 · Julia Margaret Cameron, original name Julia Margaret Pattle, (born June 11, 1815, Calcutta, India—died January 26, 1879, Kalutara, Ceylon [now Sri Lanka]), British photographer who is considered one of the greatest portrait photographers of the 19th century. The daughter of an officer in the East India Company, Julia Margaret Pattle married ...
Julia Margaret Cameron British Photographer Born: June 11th, 1815 - Calcutta, British India Died: January 26th, 1879 - Kalutara, British Ceylon Movements and Styles: The Pre-Raphaelites , Pictorialism Julia Margaret Cameron Summary Accomplishments "Growth is a spiral process, doubling back on itself, reassessing and regrouping." 1 of 12
Cameron was the third daughter of James Pattle, a civil servant stationed in Bengal. In 1834 she married Charles Hay Cameron, a philosopher, a Benthamite jurist, and, as a member of the Council of Calcutta, a leading figure of expatriate society in India.
Julia Margaret Cameron British, born India, 1815 - 1879 Person Julia Margaret Cameron After receiving a camera as a gift, Julia Margaret Cameron began her career in photography at the age of forty-eight. She produced the majority of her work from her home at Freshwater on the Isle of Wight.
One of the greatest portraitists in the history of photography, Julia Margaret Cameron (1815–1879) blended an unorthodox technique, a profoundly spiritual sensibility, and a Pre-Raphaelite–inflected aesthetic to create a gallery of vivid portraits embodying a uniquely Victorian sensibility.