Tales of Manhattan
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French film directorNationality. French. Occupations. Film director. screenwriter. Years active. 1919–1967. Julien Duvivier ( French: [dyvivje]; 8 October 1896 – 29 October 1967) was a French film director and screenwriter. He was prominent in French cinema in the years 1930–1960.
Julien Duvivier (1896-1967) Writer. Director. Producer. IMDbPro Starmeter See rank. Revered by such legendary fellow directors as Ingmar Bergman and Jean Renoir, Julien Duvivier is one of the most legendary figures in the history of French cinema.
- January 1, 1
- Lille, Nord, France
- January 1, 1
- Paris, France
Mini Bio. Revered by such legendary fellow directors as Ingmar Bergman and Jean Renoir, Julien Duvivier is one of the most legendary figures in the history of French cinema. He is perhaps the most neglected of the "Big Five" of classic French cinema (the other four being Jean Renoir, Rene Clair, Jacques Feyder, and Marcel Carne), partly due to ...
- October 3, 1896
- October 30, 1967
Nov 5, 2015 · Nov 5, 2015. Share. MAN IN THE SHADOWS. Julien Duvivier was a master of the early sound film. Whether he was making a romance, mystery, comedy, or domestic drama, his use of the camera was always revelatory, and he showed an uncanny instinct for the ways sound could be put to poetic as well as narrative uses.
Biography: life and films. W hilst unquestionably one of the most important film-makers in the history of French cinema, Julien Duvivier has never achieved the status accorded to other great directors of his country, such as his contemporaries Jean Renoir, Marce Carné and René Clair.
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Julien Duvivier (8 October 1896, in Lille – 29 October 1967, in Paris) was a French film director. He rose to prominence in French cinema in the silent era, and directed some of the most notable films of the poetic realism in the 1930s, such as La belle équipe and Pépé le Moko.
Julien Duvivier was a motion-picture director who emerged as one of the “Big Five” of the French cinema in the 1930s. Duvivier’s use of “poetic realism,” which characterized the works of the avant-garde filmmakers of that decade, won him international acclaim. Duvivier, who was educated at a Jesuit.
