Search results
Julius Leopold Korngold (24 December 1860 – 25 September 1945) was an Austrian music critic. He was the leading critic in early twentieth century Vienna, serving as chief music critic of the Neue Freie Presse from 1904 to 1934.
Sep 3, 2021 · Julius Korngold’s Article on “The Modern” in Music, 1901: Richard Strauss, Gustav Mahler. September 3, 2021. Gustav Mahler and Julius Korngold. When researching Forbidden Music – the Jewish Composers Banned by the Nazis, the ANNO pages of all of Austria’s newspapers since 1568 at the Austrian National Library website were not yet ...
Nov 10, 2022 · Korngold, the all-grown-up prodigy who’d had uncommon success in Central Europe around World War I, before defining the sound of Hollywood in exile from Nazism, lived to see his illusions...
- 3 min
- David Allen
People also ask
Who was Julius Korngold?
Who was Erich Korngold?
What happened to Julius Korngold's manuscripts?
What happened to the Korngold Symphony?
Korngold was the second son of the eminent Viennese music critic Julius Korngold a champion of Gustav Mahler and Richard Strauss, among others. The boy's earliest music showed a mastery of form and harmony so impressive that it impressed Strauss, Jean Sibelius , Karl Goldmark, Giacomo Puccini , Artur Nikisch, Bruno Walter, and Artur Schnabel ...
Overview. Julius Korngold. (1860—1945) Quick Reference. ( b Brünn, 1860; d Hollywood, Calif., 1945). Austrian music critic, father of Erich Korngold. Mus. critic Neue Freie Presse, Vienna, 1902–34. Collab. with son on lib. of Erich's opera Die tote Stadt under joint pseudonym ‘Paul Schott’.
Korngold, Julius. views 1,613,444 updated. Korngold, Julius, noted Austrian music critic, father of Erich Wolfgang Korngold; b. Brunn, Dec. 24, 1860; d. Los Angeles, Sept. 25, 1945. He was a law student, and at the same time he studied music with Franz Krenn at the Vienna Cons.
Freie Presse passed somewhat surprisingly to its feuilleton editor Julius Korngold, a relative newcomer to the city's tight-knit world of critics. Thus, it would be up to a new critic to judge new music, a quite literal changing of the guardians of the Viennese music scene. A resolute formalist, Korngold perpetuated Hanslick's principled ...