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  1. Kazimir Severinovich Malevich (February 23 [O.S. 11] 1879–May 15, 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing had a profound influence on the development of non-objective, or abstract art, in the 20th century. His concept of Suprematism sought to develop a form of expression that moved as far as ...

  2. Kazimir Severinovich Malevich (23 February [O.S. 11 February] 1879 – 15 May 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. He was born in Kiev, modern-day Ukraine, to an ethnic Polish family.

  3. Kazimir Severinovich Malevich (23 February [O.S. 11 February] 1879 – 15 May 1935) was a Russian avant-garde artist and art theorist, whose pioneering work and writing influenced the development of abstract art in the 20th century. He was born in Kiev, modern-day Ukraine, to an ethnic Polish family.

  4. Jan 29, 2023 · Kazimir Malevich was one of the most influential and innovative artists of the 20th century. He pioneered a revolutionary style of abstract art known as Suprematism, which focused on basic geometric shapes and pure color. Born in 1879 to Polish parents in Kiev, Ukraine, Malevich was exposed to traditional Ukrainian folk art from a young age.

  5. May 25, 2016 · May 25, 2016. One hundred years after the Russian artist Kazimir Malevich shook up the art world with the first exhibition of his Suprematist paintings, museums across Europe, from Austria to...

  6. 1935. See all 13 artworks ›. Painterly Realism of a Football Player—Color Masses in the 4th Dimension, Summer/fall 1915. Kasimir Malevich. From Cubism and Futurism to Suprematism (Ot kubizma i futurizma k suprematizmu), 1916. Kasimir Malevich. A Game in Hell: A Poem (Igra v adu: Poema), 1914. Kasimir Malevich.

  7. MoMA, Floor 5, 507 The Alfred H. Barr, Jr. Galleries. A white square floating weightlessly in a white field, Suprematist Composition: White on White was one of the most radical paintings of its day: a geometric abstraction without reference to external reality.

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