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  1. Feb 6, 2023 · Ideno: Coincidentally, I was acquainted with both directors through other projects before starting this project. I met Ben Braun through Kusama: Infinity, a Sundance film I edited in 2018, and Chiaki Yanagimoto through my involvement as a co-editor on the feature documentary Words Can’t Go There, which she produced. They both knew how I ...

  2. Keita Ideno Emmy nominated Editor - Netflix Cat People "Copycat" (2021), Sundace Films - Kusama-Infinity (2018), AUM: The Cult at the End of the World (2023) Los Angeles, California, United States

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  3. www.imdb.com › name › nm1761857Keita Ideno - IMDb

    Keita Ideno. Editorial Department: Enter the Void. Keita Ideno is known for Enter the Void (2009), Tokyo Vice (2022) and A Mother's Touch (2022).

    • Keita Ideno
  4. Sep 11, 2018 · But Wenz, and co-writer Keita Ideno, take a similar approach to Kusama’s biography. In some ways, the narrative of the film is somewhat less satisfying—more on that below—but the respectful frankness suits in particular one aspect of her life story, and that’s the way both the art world and the world in general did, at best, a ...

  5. Sep 5, 2018 · Director and writer Heather Lenz, along with writer Keita Ideno, capture Kusama’s artwork in a way that feels natural and unobtrusive, letting her art take center stage, inviting the audience to dive into seas of polka dots and get lost in those far-reaching, hypnotizing infinity nets.

    • Keita Ideno (co-writer)1
    • Keita Ideno (co-writer)2
    • Keita Ideno (co-writer)3
    • Keita Ideno (co-writer)4
  6. Oct 23, 2023 · editor, writer. biography, photo, best movies and TV shows, news, birthday and age. «He Is a Geisha», «AUM: The Cult at the End of the World» (2023), «Mysterious Circumstance: The Death of Meriwether Lewis» (2022), «A Mother's Touch» (2021), «The Distance» (2021)...

  7. Jun 4, 2018 · For nearly two decades, Lenz has immersed herself in Yayoi Kusama’s polka-dotted world, documenting the life and work of an artist as transcendent as her art. Lenz and her editor and co-writer, Keita Ideno, sat down with the Guardian to discuss the fruition of a passion project 17 years in the making.