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  1. Kenneth Noland (April 10, 1924 – January 5, 2010) was an American painter. He was one of the best-known American color field painters, although in the 1950s he was thought of as an abstract expressionist and in the early 1960s as a minimalist painter.

  2. Kenneth Noland was a leading figure of the Color Field movement, which used simplified abstract forms of shape and color to explore the relationships between contrasting or complementary colors. He painted concentric circles, chevrons, and stripes on shaped canvases, creating a minimalist and reductive style that influenced many contemporary abstractionists. Learn more about his life, art, and influences.

    • American
    • April 10, 1924
    • Asheville, North Carolina
    • January 5, 2010
  3. Learn about Kenneth Noland, a leading figure of Color Field painting, who created works with geometric shapes and color contrasts. Explore his six online works, exhibitions, and Wikipedia entry at MoMA.

  4. Apr 6, 2024 · Kenneth Noland (born April 10, 1924, Asheville, N.C., U.S.—died Jan. 5, 2010, Port Clyde, Maine) was an American painter of the Abstract Expressionist school. He was one of the first to use the technique of staining the canvas with thinned paints and of deploying his colours in concentric rings and parallels, shaped and proportioned in ...

    • The Editors of Encyclopaedia Britannica
  5. Learn about the life and work of Kenneth Noland, a leading figure of the Color Field movement in American art. Explore his biography, artworks, and exhibitions at the Smithsonian American Art Museum.

    • April 10, 1924
    • January 5, 2010
  6. www.artnet.com › artists › kenneth-nolandKenneth Noland | Artnet

    Learn about Kenneth Noland, a leading American Color Field painter who worked with flat colors and simple shapes. Explore his biography, artworks, exhibitions, and auction prices on Artnet.

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  8. Kenneth Noland was a primary force in the development of postwar abstract art and color field painting. He attended Black Mountain College in the late forties, exhibiting an early interest in the emotional effects of color and geometric forms.

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