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Kyle Wilamowski is known for All Summers End (2017), Snow Angels (2007) and Sisters (2006). Add photos, demo reels. Add to list. More at IMDbPro Contact info & Agent info. Awards. 1 nomination. Known for: All Summers End. 6.1. Director. 2017. Snow Angels. 6.8. Music Department. 2007. Sisters. 3.9. Music Department. 2006. Dispatched. Short.
- Music Department, Director, Additional Crew
- Kyle Wilamowski
Kyle Wilamowski — The Movie Database (TMDB) Biography. Columbia University - Class of 2008 - MFA - Film Directing and Screenwriting - New York, New York. University of Michigan - Class of 2003 - Film & Video Studies - Ann Arbor, Michigan. Writing. Directing. All. Department.
May 31, 2018 · Review: All Summers End. Kyle Wilamowski’s film trades not in a nostalgia born of genuine lived experience, but of cinematic clichés. by Henry Stewart. May 31, 2018. Kyle Wilamowski’s All Summers End, like so many films before it, is set in a nondescript American suburb, this time around the 1990s, as suggested by the clothing, cars, and ...
Mar 22, 2018 · All Summers End: Directed by Kyle Wilamowski. With Pablo Schreiber, Kaitlyn Dever, Tye Sheridan, Annabeth Gish. After a summer prank goes awry, a teenage boy falls in love while grappling with his guilty conscience.
Jun 1, 2018 · Writer/director Kyle Wilamowski’s feature debut All Summers End (originally touring festivals as Grass Stains ), for the most part, successfully captures this sense of autonomy and self-discovery during a time in which memories are made and choices seem infinite.
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- Choosing The Right Size of Shot For Your Story
- What Is The Purpose of This Particular Shot?
- A Couple of Tips on Composition That Supports Your Story
- And Other Key Elements of The Camera Language
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“Wide, medium, close-up, blah blah blah… common knowledge!”, you may say. But what’s important here, is that choosing the right shot size shouldn’t be a random decision or a simple “Let’s shoot some coverage in different sizes and move on.” Surprisingly, I’ve seen a lot of this lately. For example, a wide shot shows the entire object or character p...
That’s the question you ought to ask yourself during the pre-production breakdown session. There are different types of shots to consider. Do you need to locate where the narrative currently is or has arrived? Go for the establishing shot showing the space and not staying too long. Are you trying to drive attention toward a specific detail? Conside...
Another very strong element of the camera language is the image composition. Like in photography, it can deeply affect the spectator, though most of the time unconsciously. Using it, you’re able to manipulate the eye of the viewer and their reaction, either by following some rules or by breaking them. But first, you need to know them. While everybo...
Do you see, how much a shot has to say? How using its elements differently can change the perception of the story? And we haven’t even touched various angles which can communicate, for example, the power play of characters to the audience. Or the depth of field and which layers it brings to the table. Yes, these all are just the basics. But to me p...
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