Delphine Seyrig
A/Woman
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Last Year at Marienbad (French: L'Année dernière à Marienbad), released in the United Kingdom as Last Year in Marienbad, is a 1961 French New Wave film directed by Alain Resnais from a screenplay by Alain Robbe-Grillet.
- Francis Seyrig
- Alain Robbe-Grillet
May 30, 1999 · A classic film by Alain Resnais, released in 1961, that explores the mystery of memory, love and identity through the stories of three guests in an elegant chateau. The film is narrated by X, who tells A about their past meetings and a shooting, but his version is disputed by M, who claims to be A's husband or lover. The film is shot in black and white, with a stark visual style and a haunting soundtrack.
A surreal and experimental film by Alain Resnais, based on a script by Alain Robbe-Grillet. A man claims to have met a woman before in a mysterious chateau, but she denies it and challenges his memory.
- Alain Resnais
- 2 min
A classic French drama of 1961, directed by Alain Resnais and based on a novel by Alain Robbe-Grillet. The film explores the themes of memory, identity and narrative in a mysterious and dreamlike story of a man and a woman in a palatial hotel.
- (617)
- Delphine Seyrig
- Alain Resnais
- Drama
A surreal and mysterious film by Alain Resnais, Last Year at Marienbad (1961) explores the nature of memory and the past-present connection of a man and a woman in a château. The film features the iconic performance of Delphine Seyrig, who plays a woman wandering the château, and the music of Francis Seyrig.
- A, X, M
A man tries to convince a woman that they met and had an affair the previous year at a chateau, but she has no memory of it. The film explores the themes of time, memory, and identity through a nonlinear and ambiguous narrative.
Dec 21, 2011 · A film review of Alain Resnais's 1961 film Last Year at Marienbad, a puzzle-picture of a love story set in a chateau with a disorienting narrative and a sumptuous cinematography. The reviewer praises the film's cinematic modernism, its references to other films and filmmakers, and its themes of memory, desire, and violence.
