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Jan 19, 2000 · In The Skin of the Film Laura U. Marks offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world.
- Laura U. Marks
Laura U. Marks, associate professor of film studies at Carleton University, Ottawa, is a critic and curator of artists’ independent media. She is the author of The Skin of the Film (2000). Laura U. Marks's experimental taste and mentality shape an artistic and artist-friendly critical space in Touch.
Laura U. Marks. Simon Fraser University. Verified email at hushmail.com - Homepage. Articles Cited by Public access. Title. Sort. Sort by citations Sort by year Sort by title. Cited by. Cited by. ... LU Marks, J Clark, J Livingston, D Oleksijczuk, L Hilderbrand. Media+ Environment 2 (1), 2020. 27: 2020:
I work on media art and philosophy with an intercultural focus, and on small-footprint media. I program experimental media for venues around the world. I'm a Fellow of the Royal Society of Canada.
Download. XML. 978-0-8166-9334-4. Film Studies. In Touch, Laura U. Marks develops a critical approach more tactile than visual, an intensely physical and sensuous engagement with works of media art that enric...
Laura Marks's book, The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses is a study of intercultural film and video works, approached by way of the senses and the representation of memory in these works.
In Touch, Laura U. Marks develops a critical approach more tactile than visual, an intensely physical and sensuous engagement with works of media art that enriches our understanding and...
