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  1. Lesley Selander

    Lesley Selander

    American film director

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  1. Lesley Selander (May 26, 1900 – December 5, 1979) was an American film director of Westerns and adventure movies. His career as director, spanning 127 feature films and dozens of TV episodes, lasted from 1936 to 1968. Before that, Selander was assistant director on films such as The Cat and the Fiddle (1934), A Night at the Opera (1935), and ...

  2. Lesley Selander (1900-1979) Director. Second Unit Director or Assistant Director. Additional Crew. IMDbPro Starmeter See rank. Lesley Selander's film career, which lasted more than 40 years, started in the early 1920s as a teenager when he got a job at a studio as a lab technician.

  3. May 26, 1900 · Los Angeles, California, USA. Died. December 5, 1979 · Los Alamitos, California, USA (undisclosed) Nickname. Les. Mini Bio. Lesley Selander's film career, which lasted more than 40 years, started in the early 1920s as a teenager when he got a job at a studio as a lab technician.

  4. From Wikipedia. Lesley Selander (May 26, 1900 – December 5, 1979) was an American film director of Westerns and science fiction movies. His career as director, spanning 127 feature films and dozens of TV episodes, lasted from 1936 to 1968.

  5. Active - 1936 - 1968 | Born - May 26, 1900 | Died - Jan 1, 1979 | Genres - Western, Adventure, Action. Overview. Filmography. Other Appearances. Share on. facebook. twitter. Biography by AllMovie [+] A studio lab technician in his teens, California native Lesley Selander worked his way up to cameraman and then assistant director in the '20s.

  6. 67 minutes. Country. United States. Language. English. Blackmail is a 1947 American film noir crime film directed by Lesley Selander and starring William Marshall, Adele Mara and Ricardo Cortez. [1] The lead character is based on a pulp magazine hero Dan Turner, Hollywood Detective .

  7. The film, produced by Allied Artists and directed by Lesley Selander, starred Ann Dvorak in the title role. In addition to obtaining the rights to her 1947 book Manila Espionage , the filmmakers brought Phillips on as a technical adviser and she made personal appearances to promote the film, [3] Phillips and Dvorak became good friends, with ...

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