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Jan 11, 2018 · Louis-Hector Berlioz (b. 1803–d. 1869) was the most important French composer of the early to mid-19th century. He was born at La Côte-St-André, Isère, in southwestern France, and went to Paris to study medicine, his father’s profession, despite his determination to pursue a musical career.
Berlioz by August Prinzhofer, 1845. Louis-Hector Berlioz [n 1] (11 December 1803 – 8 March 1869) was a French Romantic composer and conductor. His output includes orchestral works such as the Symphonie fantastique and Harold in Italy, choral pieces including the Requiem and L'Enfance du Christ, his three operas Benvenuto Cellini, Les Troyens ...
- Julian Rushton
- 1983
Abstract. BY the accepted patterns of life under the Hippocratic tradition, it is not at all unusual for a physician to achieve fame via the inspiration and guidance of a younger man, whether a ...
- London Sj
- 1964
- Musical Life in Paris
- Roman Period
- Years in Paris
- European Travels
- Last Works
- Further Reading
After matriculating at Grenoble in 1821, Berlioz continued his university studies at Paris in medicine for a year. But medicine did not interest him, and he threw himself wholeheartedly into Parisian musical life, frequenting the opera and studying scores, especially those of Christoph Willibald Gluck, Gasparo Spontini, and Carl Maria von Weber, at...
In the meantime, after an unhappy attempt to communicate his affections to Harriett Smithson, Berlioz turned to the pianist Marie Mok and proposed marriage to her. He left for Rome early in 1831 for a 2-year stay at the Villa Medici, promising to return at the end of that time to marry Marie. A little later he learned that she had married someone e...
Berlioz returned to Paris in 1832, where a concert of his works was given that included the Symphonie fantastique and Lélio.He met Harriett Smithson again; despite the opposition of his parents, he married her in 1833. The marriage was not a happy one. Harriett, no longer acting, became irritable and jealous and took to drinking. Berlioz advanced a...
A notable turn in Berlioz's career occurred in 1842 with the beginning of his trips outside France. He made a triumphal tour of Germany in the company of Maria Recio, a mediocre singer, with whom he became friendly after falling out with his wife. Trips to Austria-Hungary in 1845-1846 and to Russia in 1847 were not only musically successful but eco...
During the years 1856-1858 Berlioz worked on his masterpiece, the opera Les Troyens, based on Virgil's epic. Between 1861 and 1862 he wrote his last opera, Béatrice et Bénédict, based on Shakespeare's Much Ado about Nothing,which he conducted at a festival at Baden-Baden, althoughill and distraught over the sudden death of his second wife. In 1863 ...
Humphrey Searle translated Hector Berlioz: A Selection from His Letters (1966). Many of Berlioz's writings appear in English translation; see especially the translations by Jacques Barzun, Evenings with the Orchestra (1956), and by David Cairns, The Memoirs of Hector Berlioz (1969). The best general work on Berlioz is Jacques Barzun, Berlioz and Hi...
Nov 10, 2023 · Berlioz's innovative style brought successes and failures in equal measure, but his lasting legacy is that he dramatically changed what was thought possible in orchestral music. Early Life & Influences. Louis-Hector Berlioz (usually referred to as Hector Berlioz) was born on 11 December 1803 in La-Côte-Saint-André near Grenoble in southeast ...
- Mark Cartwright
- What is Hector Berlioz well known for?Hector Berlioz is known for being the most important French composer of Romantic music in the 19th century. His most famous work today is Symphonie...
- Why was Berlioz controversial?The composer Hector Berlioz was controversial because he used an expanded orchestra with innovative orchestration and use of instruments. His Roman...
- What did Hector Berlioz struggle with?The composer Hector Berlioz struggled to make a living and gain a reputation in Paris. He was esteemed in other countries and had some successes in...
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Apr 1, 2023 · Rather, the heavy arsenal of archival research marshaled in this book, whether to contextualize Berlioz’s attitudes about patronage or to document his sexual encounters, serves a common purpose: to map archival evidence onto a chronology of Berlioz’s life and milieu—to lock Berlioz in time.
